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EDWIN AUSTIN ABBEY (1852– )

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Originally appearing in Volume V01, Page 11 of the 1911 Encyclopedia Britannica.
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EDWIN AUSTIN ABBEY (1852– )  ,
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American painter, was born at
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Philadelphia, Pennsylvania, on the 1st of
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April 1852 . He
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left the
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schools of the Pennsylvania Academy of
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Fine Arts at the age of nineteen to enter the
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art department of the
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publishing house of Harper & Brothers in New York, where, in
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company with such men as Howard Pyle, Charles Stanley Reinhart, Joseph Pennell and
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Alfred Parsons, he became very successful as an illustrator . In 1878 he was sent by the Harpers to England to gather material for illustrations of the poems of Robert Herrick . These, published in 1882, attracted much attention, and were followed by illustrations for Goldsmith's She Stoops to Conquer (1887), for a
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volume of Old Songs (1889), and for the comedies (and a few of the tragedies) of Shakespeare . His
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water-colours and pastels were no less successful than the earlier illustrations in pen and ink . Abbey now became closely identified with the art
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life of England, and was elected to the Royal Institute of Painters in Water-Colours in 1883 . Among his water-colours are " The Evil Eye " (1877); " The Rose in
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October" (1879); " An Old
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Song " (1886); " The Visitors " (189o), and " The Jongleur " (1892) . Possibly his best known pastels are "
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Beatrice, " " Phyllis," and " Two Noble Kinsmen." In 1890 he made his first appearance with an oil
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painting, " A May Day Morn," at the Royal Academy in
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London . He exhibited " Richard duke of Gloucester and the Lady Anne " at the Royal Academy in 1896, and in that
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year was elected A.R.A., becoming a full R.A. in 1898 . Apart from his other paintings,
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special mention must be made of the large frescoes entitled " The Quest of the
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Holy Grail," in the Boston Public Library, on which he was occupied for some years; and in 1901 he was commissioned by King
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Edward VII. to paint a picture of the coronation, containing many portraits elaborately grouped . The dramatic subjects, and the brilliant colouring of his oil pictures, gave them pronounced individuality among the
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works of contemporary painters . Abbey became a member not only of the Royal Academy, but also of the
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National Academy of Design of New York, and honorary member of the Royal Bavarian Society, the Societe Nationale
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des Beaux Arts (Paris), the American Water-Colour Society, etc .

He received first class

gold medals at the International Art
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Exhibition of Vienna in 1898, at Philadelphia in 1898, at the Paris Exhibitions of 1889 and 1900, and at Berlin in 1903; and was made a chevalier of the French Legion of Honour .

End of Article: EDWIN AUSTIN ABBEY (1852– )
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ABBEY (Lat. abbatia; from Syr. abba, father)
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