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KARL See also:FRIEDRICH See also:ABEL (1725-1787) , See also:German musician, was See also:born in Kothen in 1725, and died on the 2oth of See also:June 1787 in See also:London . He was a See also:great player on the See also:viola da gamba, and composed much See also:music of importance in its See also:day for that See also:instrument . He studied under Johann See also:Sebastian See also:Bach at the See also:Leipzig Thomasschule; played for ten years (1748-T758) under A . See also:Hasse in the See also:band formed at See also:Dresden by the elector of See also:Saxony; and then, going to See also:England, became (in 1759) chamber-musician to See also:Queen See also:Charlotte . He gave a See also:concert of his own compositions in London, performing on various See also:instruments, one of which, the pentachord, was newly invented . In 1762 Johann See also:Christian Bach, the See also:eleventh son of Sebastian, came to London, and the friendship between him and See also:Abel led, in 1764 or 1765, to the See also:establishment of the famous concerts subsequently known as the Bach and Abel concerts . For ten years these were organized by Mrs Cornelys, whose enterprises were then the height of See also:fashion . In 1775 the concerts became See also:independent of her, and were continued by Abel unsuccessfully for a See also:year after Bach's See also:death in 1782 . At them the See also:works of See also:Haydn were first produced in England . After the failure of his concert under-takings Abel still remained in great See also:request as a player on various instruments new and old, but he took to drink and thereby hastened his death . He was a See also:man of striking presence, of whom several See also:fine portraits, including two by See also:Gainsborough, exist . |
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[back] ABEL (better ABELL), THOMAS (d. 1540) |
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