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See also: Roman tragic poet, the son of a freedman, was See also: born at See also: Pisaurum in See also: Umbria, in 170 B.C
.
The See also: year of his See also: death is unknown, but he must have lived to a See also: great age, since See also: Cicero (Brutus, 28) speaks of having conversed with him on See also: literary matters
.
He was a prolific writer and enjoyed a very high reputation (Horace, Epistles, ii
.
1, 56; Cicero, See also: Pro Plancio, 24)
.
The titles and considerable fragments (about 700 lines) of some fifty plays have been preserved
.
Most of these were See also: free See also: translations from the See also: Greek, his favourite subjects being the legends of the Trojan war and the See also: house of See also: Pelops
.
The See also: national See also: history, however, furnished the theme of the Brutus and Decius, —the expulsion of the Tarquins and the self-sacrifice of Publius Decius See also: Mus the younger
.
The fragments are written in vigorous language and show a lively power of description
.
See also: Accius. wrote other See also: works of a literary character: Didascalicon and Pragmaticon libri, See also: treatises in verse on the history of Greek and Roman See also: poetry, and dramatic See also: art in particular; Parerga and Praxidica (perhaps identical) on See also: agriculture; and an Annales
.
He also introduced innovations in orthography and grammar
.
See Boissier, Le Poete Accius, 1856; L
.
See also: Muller, De Accii fabulis Disputatio (189o) ; Ribbeck, Geschichte der romischen Dichtung (1892) ;
See also: editions of the tragic fragments by Ribbeck (1897), of the others by Bahrens (1886); Plessis, Poesie latine (1909)
.
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