See also:

• ACCOMPANIMENT (i.e. that which " accompanies ")

ACCOMPANIMENT (i.e. that which " accompanies ")  , a musical See also:

• TERM

term for that See also:

• PART

part of a vocal or instrumental See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition added to support and heighten the See also:

• PRINCIPAL

principal vocal or instrumental part; either by means of other vocal parts, single See also:

• INSTRUMENTS

instruments or the See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra . The See also:

• ACCOMPANIMENT (i.e. that which " accompanies ")

accompaniment may be See also:

• OBBLIGATO, or OBLIGATO

obbligato or ad libitum, according as it forms an essential part of the composition or not . The term obbligato or obbligato accompaniment is also used for an See also:

• INDEPENDENT

independent instrumental See also:

• SOLO, OR SOLO WHIST

solo accompanying a vocal piece . Owing to the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• CUSTOM (from O. Fr. costume, costume or coustume; Low Lat. costuma, a shortened form of consuetudo)

custom of only See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing the accompaniment in outline, by means of a " figured See also:

• BASS
• BASS (the same word as " base," and so pronounced, but influenced in spelling by the Ital. basso)

bass," to be filled in by the performer, and to the changes in the number, quality and types of the instruments of the orchestra, " additional " accompaniments have been written for the See also:

• WORKS

works of the older masters; such are See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart's " additional " accompaniments to See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel's See also:

• MESSIAH (Dan. x. 25, 26)

Messiah or those to many of the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder See also:

• BACH, JOHANN SEBASTIAN (1685–1750)
• BACH, KARL PHILIPP EMANUEL (1714-1788)

Bach's works by See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert See also:

• FRANZ, ROBERT (1815-1892)

Franz . In See also:

• COMMON

common parlance any support given, e.g. by the piano, to a See also:

• VOICE (Fr. voix, from Lat. vox)

voice or See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument is loosely called an accompaniment, which may be merely " vamped " by the introduction of a few chords, or may rise to the dignity of an See also:

• ARTISTIC

artistic composition . In the See also:

• HISTORY

history of See also:

• SONG

song the See also:

• EVOLUTION

evolution of the See also:

• ART

art See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of an accompaniment is important, and in the higher forms the vocal and instrumental parts practically constitute a See also:

• DUET (an adaptation of the Ital. duetto, from Lat. duo, two)

duet, in which the instrumental part may be at least as important as that of the voice .