|
ANDREAS See also: German landscape painter, was See also: born at See also: Cassel in 1815
.
He began his See also: art See also: education in 1827 in See also: Dusseldorf under W
.
See also: Schadow and at the See also: academy
.
In his early See also: work he followed the pseudo-idealism of the German romantic school, but on removing to See also: Munich in 1835, the stronger influence of L
.
Gurlitt turned his talent into new channels, and he became the founder of the German realistic school
.
Although his landscapes evince too much of his aim at picture-making and lack See also: personal temperament, he is a master of technique, and is historically important as a reformer
.
A number of his finest See also: works are to be found at the Berlin See also: National Gallery, the New Pinakothek in Munich, and the galleries at See also: Dresden, See also: Darmstadt; Cologne, Dusseldorf, See also: Leipzig and See also: Hamburg
.
His See also: brother, See also: OSWALD See also: ACHENBACH (1827-1905), was born at Dusseldorf and received his art education from Andreas
.
His landscapes generally dwell on the See also: rich and glowing effects of colour which See also: drew him to the See also: Bay of Naples and the neighbour-See also: hood of See also: Rome
.
He is represented at most of the important German galleries of See also: modern art
.
|
|
|
[back] ACHELOUS (mod. Aspropotamo, " white river ") |
[next] GOTTFRIED ACHENWALL (1719-1772) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.