See also:

• ACROLITHS (Gr. arcpoXcOoc, i.e. ending in stone)

ACROLITHS (Gr. arcpoXcOoc, i.e. ending in See also:

• STONE
• STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
• STONE, CHARLES POMEROY (1824-1887)
• STONE, EDWARD JAMES (1831-1897)
• STONE, FRANK (1800-1859)
• STONE, GEORGE (1708—1764)
• STONE, LUCY [BLACKWELL] (1818-1893)
• STONE, MARCUS (184o— )
• STONE, NICHOLAS (1586-1647)

stone)  , statues of a transition See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period in the See also:

• HISTORY

history of plastic See also:

• ART

art, in which the See also:

• TRUNK (Fr. tronc, Lat. truncus, cut off, maimed)

trunk of the figure was of See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood, and the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head, hands and feet of See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble . The wood was concealed either by See also:

• GILDING

gilding or, more commonly, by drapery, and the marble parts alone were exposed . See also:

• ACROLITHS (Gr. arcpoXcOoc, i.e. ending in stone)

Acroliths are frequently mentioned by See also:

• PAUSANIAS

Pausanias, the best known specimen being the Athene Areia of the Plataeans .