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LAMBERT SIGISBERT ADAM (1700-1759)

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Originally appearing in Volume V01, Page 172 of the 1911 Encyclopedia Britannica.
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LAMBERT SIGISBERT ADAM (1700-1759)  , French sculptor, known as Adam Paine, was born in
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Nancy, son of Jacob Sigisbert Adam, a sculptor of little repute . Adam was
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thirty-seven when, on his election to the Academy, he exhibited at the
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Salon the model of the
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group of " Neptune and
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Amphitrite " for the centre of the fountain at
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Versailles, and thereafter found much employment in the decoration of the royal residences . Among his more important
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works are "
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Nymphs and Tritons," " The Triumph of Neptune stilling the Waves," " Hunter with Lion in his
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Net," a
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relief for the
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chapel of St Adelaide, " The Seine and the
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Marne " in stone for St Cloud, " Hunting " and " Fishing," marble groups for Berlin, " Mars embraced by Love " and " The
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enthusiasm of
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Poetry." Adam restored with much ability the twelve statues (Lycomedes) found in the So-called
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Villa of Marius at Rome, and was elected a member of the Academy of St Luke . Several of his most important works were executed for Frederick the
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Great in Prussia . His
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brother, also a sculptor, NIcoi s SEBASTIEN ADAM (1705-1778), known as Adam le jeune, born in Nancy, worked under equal encouragement . His first
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work of importance was his "
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Prometheus chained, devoured by a
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Vulture," executed in
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plaster in 1738, dnd carved in marble in 1763 as his " reception piece " when he was elected into the Academy . He produced the reliefs of the " Birth " and " Agony of Christ " for the Oratoryin Paris, but his chief works are the "
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Mausoleum of Cardinal de Fleury " and, in particular, the tomb of Catherine Opalinska, queen of Poland (wife of King
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Stanislaus), at Nancy . A third brother, FRANCOIS GASPARD BALTHASAR ADAM (1710-1761), born in Nancy, became the first sculptor of Frederick the Great and the head of the atelier of sculpture founded by that monarch, and passed the greater
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part of his
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life in Berlin . His chief works adorn the gardens and palaces of Sans Souci and
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Potsdam . The work of the brothers Adam was too ornate in style to win the approval of the school that immediately followed them, and found its
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principal opponents in Bouchardon and Pigalle . See Dussieux, Artistes francais d l'etranger (Paris, 1855, 8vo) ; Archives de Part francais, documents, vol. i. pp . 117-180, chiefly for; works executed for the king of Prussia; Mariette, Abecedario; Emile de la Chavignerie and Auvray, Dictionnaire general
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des artistes de l'ecole franpise (Paris, 1882), mainly for works executed; Lady Dilke, French Architects and Sculptors of the 18th century (
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London, 4t0, 1900) .

End of Article: LAMBERT SIGISBERT ADAM (1700-1759)
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