See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

ADAM (or ADAN) DE LE See also:

• HALE, EDWARD EVERETT (1822-1909)
• HALE, HORATIO (1817–1896)
• HALE, JOHN PARKER (1806–1873)
• HALE, NATHAN (1756-1776)
• HALE, SIR MATTHEW (1609-1676)
• HALE, WILLIAM GARDNER (1849- )

HALE (died c. 1288)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• TROUVERE

trouvere, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ARRAS

Arras . His patronymic is generally modernized to La See also:

• HALLE (known as HALLE-AN-DER-SAALE, t0 distinguish it from the small town of Halle in Westphalia)
• HALLE, SIR CHARLES (originally KARL HALLE) (1819-1895)

Halle, and he was commonly, known to his contemporaries as See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam d'Arras or Adam le See also:

• BOSSU, RENE LE (1631-1680)

Bossu, sometimes simply as Le Bossu d'Arras . His See also:

• FATHER

father, See also:

• HENRI

Henri de le See also:

• HALE, EDWARD EVERETT (1822-1909)
• HALE, HORATIO (1817–1896)
• HALE, JOHN PARKER (1806–1873)
• HALE, NATHAN (1756-1776)
• HALE, SIR MATTHEW (1609-1676)
• HALE, WILLIAM GARDNER (1849- )

Hale, was a well-known See also:

• CITIZEN (a form corrupted in Eng., apparently by analogy with " denizen," from O. Fr. citeain, mod. Fr. citoyen)

citizen of Arras, and Adam studied See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

grammar, See also:

• THEOLOGY

theology and See also:

• MUSIC

music at the Cistercian See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

abbey of Vaucelles, near See also:

• CAMBRAI

Cambrai . Father and son had their See also:

• SHARE (O. Eng. scearu, chiefly in compounds, e.g. land-scearu, a share of land, from sceran to cut; cf. " shear" )

share in the See also:

• CIVIL

civil discords in Arras, and for a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time took See also:

• REFUGE

refuge in See also:

• DOUAI

Douai . Adam had been destined for the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, but renounced this intention, and married a certain See also:

• MARIE

Marie, who figures in many of his songs, rondeaux, motets and jeux-partis . Afterwards he joined the See also:

• HOUSEHOLD, ROYAL

household of See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert II., See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

count of See also:

• ARTOIS

Artois; and then was attached to See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles of See also:

• ANJOU

Anjou, See also:

• BROTHER

brother of Charles IX., whose fortunes he followed in See also:

• EGYPT

Egypt, See also:

• SYRIA

Syria, See also:

• PALESTINE

Palestine and See also:

• ITALY
• ITALY (Italia)

Italy . At the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of Charles, after he became See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples, he wrote his Jeu de See also:

• ROBIN

Robin et See also:

• MARION
• MARION, FRANCIS (1732-1795)
• MARION, HENRI FRANCOIS (1846-1896)

Marion, the most famous of his See also:

• WORKS

works . He died between 1285 and 1288 . Adam's shorter pieces are accompanied by music, of which a171 transcript in See also:

• MODERN

modern notation, with the See also:

• ORIGINAL

original See also:

• SCORE (O.E. scor, from sceran, to cut, notch, cf. " shear ")

score, is given in Coussemaker's edition . His Jeu de Robin et Marion is cited as the earliest French See also:

• PLAY

play with music on a See also:

• SECULAR (Lat. saecularis, of or belonging to an age or generation, saeculum)

secular subject . The See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral, which tells how Marion resisted the See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

knight, and remained faithful to Robert the shepherd, is based on an old chanson, Robin m'aime, Robin m'a . It consists of See also:

• DIALOGUE

dialogue varied by refrains already current in popular See also:

• SONG

song .

The melodies to which these are set have, the, See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character of folk-music, and are more spontaneous and melodious than the more elaborate music of his songs and motets . A modern See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation, by See also:

• JULIEN, STANISLAS (1797?-1873)

Julien Tiersot, was played at Arras by a See also:

• COMPANY

company from the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• OPERA (Italian for " work ")

Opera Comique on the occasion of a festival in 1896 in See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour of Adam de le Hale . His other play, Le jeu Adan or Le jeu de la Feuillee (c . 1262), is a satirical See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama in which he introduces himself, his father and the citizens of Arras with their peculiarities . His works include a Conga, or satirical farewell to the See also:

• CITY (through Fr. cite, from Lat. civitas)

city of Arras, and an unfinished chanson de geste in honour of Charles of Anjou, Le roi de Sicile, begun in 1282; another short piece, Le jeu du pelerin, is sometimes attributed to him . The only MS. which contains the whole of Adam's See also:

• WORK

work is the La Valliere MS . (No . 25,566) in ,the Bibliotheque Nationale; Paris, dating from the latter See also:

• HALF

half of the 13th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . Many of his pieces are also contained in See also:

• DOUCE, FRANCIS (1757-1834)

Douce MS . 308, in the Bodleian Library, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford . His Euvres completes (1872) were edited by E. de Coussemaker . See also an See also:

• ARTICLE (from Lat. articulus, a joint)

article by Paulin Paris in the Histoire litteraire de la See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France (vol. xx. pp .

638-675) ; G . Raynaud, Recueil See also:

• DES

des motets See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

francais des XIIe et XIIIe siecles (1882); Canchons et Partures des Adan delle Hale (Halle, 1900), a See also:

• CRITICAL (in alphabetical order of authors)

critical edition by See also:

• RUDOLF (otherwise known as Basso NOROK and Gannon)

Rudolf Berger; an edition of Adam's two jeux in Monmerque and See also:

• MICHEL
• MICHEL, CLAUDE
• MICHEL, FRANCISQUE XAVIER (1809-1887)

Michel's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre frangais au moyen dge (1842) ; E . See also:

• LANGLOIS, HIPPOLYTE (1839— )

Langlois, Le jeu de Robin et Marion (1896), with a See also:

• TRANSLATION

translation in modern French ; . A . Guesnon, La See also:

• SATIRE (Lat. satira, satura; see below)

Satire a Arras au XIIIe siecle (1900); and a full bibliography of works on the subject in No . 6 of the Bibliotheque de See also:

• BIBLIOGRAPHIES

bibliographies critiques, by Henri See also:

• GUY, THOMAS (1644–1724)

Guy .