JOHANN See also:

• FRIEDRICH, JOHANN (1836— )

FRIEDRICH See also:

• AGRICOLA (originally SCHNEIDER, then SCHNITTER), JOHANNES (1494-1566)
• AGRICOLA (the Latinized form of the name BAUER), GEORG (1490-1555)
• AGRICOLA, CHRISTOPH LUDWIG (1667-1719)
• AGRICOLA, GNAEUS JULIUS (A.D. 37-93)
• JOHANN FRIEDRICH AGRICOLA (1720-1774)
• AGRICOLA, MARTIN (c. 1500-1556)
• AGRICOLA, RODOLPHUS (properly ROELOF HUYSMANN) (1443-1485)

AGRICOLA (1720-1774)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German musician, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Dobitschen in See also:

• SAXE, JOHN GODFREY (1816-1887)
• SAXE, MAURICE, COMTE DE (1696-1750)

Saxe-See also:

• ALTENBURG

Altenburg, on the 4th of See also:

• JANUARY

January 1720 . While a student of See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law at See also:

• LEIPZIG

Leipzig he studied See also:

• MUSIC

music under Johann See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian See also:

• BACH, JOHANN SEBASTIAN (1685–1750)
• BACH, KARL PHILIPP EMANUEL (1714-1788)

Bach . In 1741 he went to See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, where he studied musical See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . He was soon generally recognized as one of the most skilful organists of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time; and in 1751, as the result of a comic See also:

• OPERA (Italian for " work ")

opera, Il Filosofo convinto in amore, performed at See also:

• POTSDAM

Potsdam, he was made See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court composer to See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick the See also:

• GREAT

Great . He died in Berlin on the 1st of See also:

• DECEMBER (Lat. decent, ten)

December 1774 . In 17J9, on the See also:

• DEATH

death of Karl Heinrich See also:

• GRAUN, CARL HEINRICH (1701-1759)

Graun, he was appointed conductor of the royal See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra . Besides several operas of merit, he composed instrumental pieces and See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church music . His reputation chiefly rests, however, on his theoretical, and See also:

• CRITICAL (in alphabetical order of authors)

critical writings on musical subjects . He wrote under the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of Flavio Anicio Olibrio .