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See also: German artist and See also: glass-painter, was See also: born at See also: Munich on the 14th of See also: February 1807
.
By the advice of Gartner, director of the royal See also: porcelain manufactory, he devoted himself to the study of glass-See also: painting, both as a See also: mechanical See also: process and as an See also: art, and in 1828 he was appointed director of the newly-founded royal painted-glass manufactory at Munich
.
The method which he gradually perfected there was a development of the enamel process adopted in the See also: Renaissance, and consisted in actually painting the design upon the glass, which was subjected, as each colour was laid on, to carefully-adjusted See also: heating
.
The earliest specimens of Ainmuller's See also: work are to be found in the See also: cathedral of See also: Regensburg
.
With a few exceptions, all the windows in See also: Glasgow cathedral are from his See also: hand
.
Specimens may also be seen in St See also: Paul's cathedral, and Peterhouse, See also: Cam-See also: bridge, and Cologne cathedral contains some of his finest productions
.
Ainmuller had considerable skill as an oil-painter, especially in interiors, his pictures of the See also: Chapel Royal at Windsor and of See also: Westminster Abbey being much admired
.
He died on the 9th of See also: December 187o
.
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