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See also:AJANTA (more properly AJUNTHA)
, a See also:village in the dominions of the See also:Nizam of See also:Hyderabad in See also:India (N. See also:lat
.
20° 32' by E. See also:long
.
75° 48'), celebrated for its See also:cave hermitages and halls
.
The caves are in a wooded and rugged See also:ravine about 32 M. from the village
.
Along the bottom of the ravine runs the See also:river Wagura, a See also:mountain stream, which forces its way into the valley over a See also:bluff on the See also:east, and forms in its descent a beautiful See also:waterfall, or rather See also:series of waterfalls, 200 ft. high, the See also:sound of which must have been constantly audible to the dwellers in the caves
.
These are about See also:thirty in number, excavated in the See also:south See also:side of the precipitous See also:bank of the ravine, and vary from 35 to 110 ft. in See also:elevation above the See also:bed of the torrent
.
The caves are of two kinds—dwelling-halls and See also:meeting-halls
.
The former, as one enters from the pathway along the sides of the cliff, have a broad See also:verandah, its roof supported by pillars, and giving towards the interior on to a See also: The caves are in three See also:groups, the See also:oldest See also:group being of various See also:dates from 200 B.C. to A.D.200, the second. group belonging, approximately, to the 6th, and the third group to the 7th See also:century A.D . Most of the interior walls of the caves were covered with See also:fresco paintings, of a considerable degree of merit, and somewhat in the See also:style of the See also:early See also:Italian painters . When first discovered, in 1817, these frescoes were in a See also:fair See also:state of preservation, but they have since been allowed to go hopelessly to ruin . Fortunately, the school of See also:art in Bombay, especially under the supervision of J . Griffiths, had copied in See also:colours a number of them before the last vestiges had disappeared, and other copies of certain of the paintings have also been made . These copies are invaluable as being the only See also:evidence we now have of pictorial art in India before the rise of See also:Hinduism . The expression " Cave Temples " used by Anglo-See also:Indians of such halls is inaccurate . See also:Ajanta was a See also:kind of See also:college monastery . Hstian Tsang informs us that DinnAga, the celebrated Buddhist philosopher and controversialist, author of well-known books on See also:logic, resided there . In its See also:prime the See also:settlement must have afforded See also:accommodation for several hundreds, teachers and pupils combined . Very few of the frescoes have been identified, but two are illustrations of stories in Arya Sara's Ja,taka Maid, as appears from verses in Buddhist See also:Sanskrit painted beneath them . See J . See also:Burgess and Bhagwanlal Indraji, See also:Inscriptions from the Cave Temples of Western India (Bombay, 1881) ; J . See also:Fergusson and J . Burgess, Cave Temples of India (See also:London, 1880) ; J . Griffiths, Paintings in the Buddhist Cave Temples of Ajanta (London, 2 vols., 1896-1897) . (T . W . R . |
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