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PEDRO See also:ANTONIO DE See also:ALARCON (1833-1891)
, See also:Spanish writer, was See also:born on the loth of See also: On his return from Africa Alarcon did the Liberal party much See also:good service as editor of La Politica, but after his See also:marriage in 1866 to a devout See also:lady, Paulina Contrera y Reyes, he modified his See also:political views considerably . On the overthrow of the See also:monarchy in 1868, Alarcon advocated the claims of the duc de See also:Montpensier, was neutral during the See also:period of the See also:republic, and declared himself a Conservative upon the restoration of the See also:dynasty in See also:December 1874 . These political See also:variations alienated Alarcbn's old See also:allies and failed to conciliate the royalists . But though his political See also:influence was ruined, his success as a writer was greater than ever . The publication in the Revista Europea (1874) of a See also:short See also:story, El See also:Sombrero de tres picos, a most ingenious resetting of an old popular See also:tale, made him almost as well known out of See also:Spain as in it . This remarkable See also:triumph in the picturesque vein encouraged him to produce other See also:works of the same See also:kind; yet though his Cuentos amatorios (1881), his Historietas nacionales (1881) and his Narraciones inverosimiles (1882) are pleasing, they have not the delightful gaiety and See also:charm of. their predecessor . In a longer novel, El Escdndalo (1875), Alarcon had appeared as a See also:partisan of the neo-See also:Catholic reaction, and this See also:change of See also:opinion brought upon him many attacks, mostly unjust . His usual See also:bad See also:fortune followed him, for while the Radicals denounced him as an apostate, the neo-Catholics alleged that El Esc4ndalo was tainted with See also:Jansenism . Of his later volumes, written in failing See also:health and See also:spirits, it is only necessary to mention El Capitan Veneno and the Historia de mis libros, both issued in 1881 . Alarcon was elected a member of the Spanish See also:Academy in 1875 . He died at Madrid on the 2oth of See also:July 1891 . His later novels and tales are disfigured by their didactic tendency, by feeble See also:drawing of See also:character, and even by certain gallicisms of See also:style . But, at his best, Alarcon may be read with See also:great See also:pleasure . The Diario de un testigo is still unsurpassed as a picture of campaigning See also:life, while El Sombrero de tres picos is a very perfect example of malicious wit and See also:minute observation . (J . |
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