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See also: Italian painter, was See also: born at Bologna
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His See also: father was a See also: silk See also: merchant, and intended to bring up his son to the same occupation; but See also: Albani was already, at the age of twelve, filled with so strong an inclination for See also: painting, that on the See also: death of his father he devoted himself entirely to alt
.
His first master, was Denis qalvert,,with whom Guido Reni was at the same See also: time a pupil
..
He was soon See also: left by Calvert entirely to the care of Guido, and contracted with him a close friendship
.
He followed Guido to the school of the See also: Caracci; but after this, owing to mutual rivalry, their ,friendship began gradually to cool
.
They kept up for a long time a keen competition, and their mutual emulation called forth some' of their best productions
.
Notwithstanding this rivalry, they still spoke of each other with the highest esteem
.
Albani after having greatly improved himself in the school of the Caracci; went to See also: Rome, where he opened an See also: academy And resided for many years
.
Here he painted, after the designs of Annibal Caracci, the whole of the frescoes in the See also: chapel of See also: San Diego in the See also: church of San Giacomo degli Spagnuoli
.
His best frescoes are those on mythological subjects, of which there is a large number in the Verospi, now Torlonia Palace
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On the death of his wife he returned to Bologna, where he married a second time and resided till his death
.
His wife and
See also: children were very beautiful and served him for See also: models
.
The learning displayed in the composition of his pictures, and their minute elaboration and exquisite finish, gave themSee also: great celebrity and entitle them to a , distinctive place among the products of the Bolognese school
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A number of his See also: works are at Bologna, and others at Florence, the, Louvre, See also: Dresden and St See also: Petersburg
.
Among the best of his sacred subjects are a "St See also: Sebastian " and an "See also: Assumption, of the Virgin," both in the church of St Sebastian at Rome
.
He was among the first of the Italian painters to devote himself to the painting of See also: cabinet pictures
.
A rare See also: etching, the " Death of See also: Dido," is attributed to him
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