DOMENICO See also:

• DOMENICO ALBERTI (c. 1710–1740)
• ALBERTI, LEONE BATTISTA (1404–1472)

ALBERTI (c. 1710–1740)  , See also:

• ITALIAN

Italian musician, is known in musical See also:

• HISTORY

history as the writer of dozens of sonatas in which the See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody is supported from beginning to end by an extremely See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar See also:

• FORMULA
• FORMULA (Lat. diminutive of forma, shape, pattern, &c., especially used of rules of judicial procedure)

formula of See also:

• ARPEGGIO (from Ital. arpeggiare, to play upon the harp)

arpeggio See also:

• ACCOMPANIMENT (i.e. that which " accompanies ")

accompaniment, consequently known as the See also:

• ALBERTI, DOMENICO (c. 1710–1740)
• ALBERTI, LEONE BATTISTA (1404–1472)

Alberti See also:

• BASS
• BASS (the same word as " base," and so pronounced, but influenced in spelling by the Ital. basso)

bass . He thus shows how advanced was the decay of polyphonic sensibility (as a negative preparation for the See also:

• ADVENT (Lat. Adventus, sc. Redemptoris, " the coming of the Saviour ")

advent of the See also:

• SONATA (From Ital. sonare, to sound)

sonata-See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style) already during the lifetime of See also:

• BACH, JOHANN SEBASTIAN (1685–1750)
• BACH, KARL PHILIPP EMANUEL (1714-1788)

Bach . His See also:

• WORKS

works have no other See also:

• SPECIAL

special qualities, though it is probable that See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart's first See also:

• VIOLIN

violin sonatas, written -at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of seven, were modelled on Alberti in spite of their See also:

• SUPERIOR

superior cleverness .