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JOHANN GEORG ALBRECHTSBERGER (1736–2849) ,,, See also: Austrian musician, was See also: born at Kloster-See also: Neuburg, near Vienna, on the 3rd of See also: February 1736
.
He studied musical composition under the See also: court organist, See also: Mann, and became one of the most learned and skilful contrapuntists of his age
.
After ,being employed as organist at Raab and Maria-Taferl, he was appointed in 1772 organist to the court of Vienna,' and in 1792 Kapellmeisler of St See also: Stephen's See also: cathedral
.
His fame as a theorist attracted. to him in the Austrian capital a large; number of pupils, some of whom afterwards became eminent musicians
.
Among these were See also: Beethoven, See also: Hummel, See also: Moscheles and Josef Weigl (17:66–1846)
.
Albrechtsberger died in Vienna on the 7th of See also: March 1809
.
, Pis published compositions consist of preludes, fugues and sonatas for the piano and
See also: organ, See also: string quartets, &c.; but the greater proportion of his See also: works, vocal and instrumental, exists only in See also: manuscript
.
They are in the library of the Vienna Gesellschaft der Musikfreunde
.
Probably the most valuable service he rendered to See also: music was in his theoretical works
.
In, 1790 ,he published at See also: Leipzig a See also: treatise on composition, of which,a third edition appeared in 1821
.
A collection of his writings on harmony, in three volumes, was published under the care of his pupil Ignaz von Seyfried (1776–1841) in 1826
.
There is an See also: English version of this published by See also: Novello in 1855
.
Beethoven knew his own needs when he put himself under Albrechtsberger on finding that See also: Haydn was not thoroughly disposed for the trouble of training him; and though Albrechtsberger could see nothing in him, and warned his other pupils against" that See also: young See also: man who would never turn out anything ingood See also: style," he justified Beethoven's, confidence
.
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