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ALB (Lat. alba, from albus, white)

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Originally appearing in Volume V01, Page 479 of the 1911 Encyclopedia Britannica.
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ALB (See also:Lat. See also:alba, from albus, See also:white)  , a liturgical vestment of the See also:Catholic See also:Church . It is a See also:sack-like See also:tunic of See also:white See also:linen, with narrow sleeves and a hole for the See also:head to pass through, and when gathered up See also:round the See also:waist by the See also:girdle (cingulum) just clears the ground . Albs were originally quite See also:plain, but about the loth See also:century the See also:custom arose of ornamenting the See also:borders and the cuffs of the sleeves with strips of See also:embroidery, and this be-came See also:common in the 12th century . These at first encircled the whole border; but soon it became customary to substitute for them square patches of embroidery or See also:precious fabrics . These " parures "" apparels "or" orphreys " (See also:Lat. parurae, grammata, aurifrisia, &c.), were usually four in number, one being sewn on the back and another on the front of the vestment just above the See also:lower hem, and one on each See also:cuff . When, as occasionally happened, a fifth was added, this was placed on the See also:breast just below the See also:neck opening . These " apparelled albs " (albae paratae) continued in See also:general use in the Western Church till the 16th century, when a tendency to dispense with the parures began, See also:Rome itself setting the example . The growth of the See also:lace See also:industry in the 17th century hastened the See also:process by leading to the substitution of broad bands of lace as decoration; occasionally, as in a magnificent specimen pre-served at See also:South See also:Kensington, nearly See also:half the vestment is thus Apparelled See also:Alb in the South Kensington Museum . From Braun's Liturgische Gewandung . composed of lace . , At the See also:present See also:time, so far as the See also:Roman Catholic Church is concerned, apparelled albs are only in See also:regular use at See also:Milan (Ambrosian Rite), and, partially, in certain churches in See also:Spain . The See also:decree of the See also:Congregation of See also:Rites (May 18,1819) says nothing about apparels, but only See also:lays down that the alb must be of white linen or See also:hemp See also:cloth .

There is no definite See also:

rule as to the material or See also:character of the ornamentation, and attempts have been made, especially in See also:England, to revive the use of the apparelled alb . In the Roman Church the alb is now reckoned as one of the See also:vestments proper to the See also:sacrifice of the See also:Mass . It is worn by bishops, priests, deacons and subdeacons under the other eucharistic vestments, either at Mass or at functions connected with it . It is sometimes also worn by clerics in See also:minor orders, whose proper vestment is, however, the See also:surplice—itself a modification of the alb (see SURPLICE) . The alb is supposed to be symbolical of purity, and the See also:priest, when putting it on, prays: " Make me white and purify my See also:heart, 0 See also:Lord," &c . In the See also:middle ages the parures, which originally had no mystic intention whatever, were taken to symbolize the wounds of See also:Christ; whence probably is derived the custom surviving at the See also:cathedral of See also:Toledo, of the singers of the See also:Passion on See also:Good See also:Friday being vested in apparelled albs . In England at the See also:Reformation the alb went out of use with the other " Mass vestments," and remained out of use in the Church of England until the See also:ritual revival of the 19th century . It is now worn in a considerable number of churches not onlyby the See also:clergy but by acolytes and servers at the Communion . Where the ritual, as in most cases, is a revival of pre-Reformation uses and not modelled on that of See also:modern Rome, these albs are frequently apparelled . For the question of its legality see VESTMENTS . Both the alb and its name are derived ultimately from the Tunica See also:alba, the white tunic, which formed See also:part of the See also:ordinary See also:dress of Roman citizens under the See also:Empire . As such it was worn both in and out of church, the few notices remaining which suggest a See also:special tunic for ministers at the See also:Eucharist merely implying that it was not fitting to use for so sacred a See also:function a garment soiled by everyday See also:wear .

The date of its definite See also:

adoption as a liturgical vestment is uncertain; at Rome— where until the 13th century it was known as the linea or camisia (cf. the modern See also:Italian camice for alb)—it seems to have been thus used as See also:early as the 5th century . But as See also:late as the 9th and loth centuries the alba is still an everyday as well as a liturgical garment, and we find bishops and synods forbidding priests to sing mass in the alba worn by them in ordinary See also:life (see Braun, p . 62) . Throughout the middle ages, moreover, the word alba was somewhat loosely used . In the See also:medieval inventories are sometimes fourfd albae, described as red, See also:blue or See also:black; which has led to the belief that albs were sometimes not only made of stuffs other than linen, but were coloured . It is clear, however, from the descriptions of these vestments that in some cases they were actually tunicles, the confusion of terms arising from the similarity of shape (see See also:DALMATIC); in other cases the See also:colour applied to the parures, not to the albs as a whole . See also:Silk albs appear in the inventories, but only very exceptionally . The See also:equivalent of the alb in the See also:ancient Churches of the See also:East is the sticharion (artx6pwv) of the Orthodox Church (Armenian shapik, Syrian Kutina, Coptic stoicharion or tuniah) . It is worn girdled by bishops and priests in all rites, by subdeacons in the See also:Greek and Coptic rites . By deacons and lectors it is worn ungirdled in all the rites . The colour of the vestment is usually white for bishops and priests (this is the rule in the Coptic Church); for the other orders there is no rule, and all See also:colours, except black, may be used . Its material may be linen, See also:wool, cottpn or silk; but silk only is the rule for deacons .

In the Armenian and Coptic rites the vestment is often elaborately embroidered; in the other rites the only See also:

ornament is a See also:cross high in the middle of the back, See also:save in the See also:case of bishops of the Orthodox Church, whose sticharia are ornamented with two See also:vertical red stripes (iroraµoi, " See also:rivers ") . In the East as in the See also:West the vestment is specially associated with the ritual of the Eucharist . The whole subject is exhaustively treated by See also:Father See also:Joseph Braun in See also:Die liturgische Gewandung (See also:Freiburg See also:im See also:Breisgau, 1907) . See also bibliography to the See also:article VESTMENTS .

End of Article: ALB (Lat. alba, from albus, white)
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