See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• HENRY ALDRICH (1647-1710)
• ALDRICH, NELSON WILMARTH (1841- )
• ALDRICH, THOMAS BAILEY (1836-1907)

ALDRICH (1647-1710)  , See also:

• ENGLISH

English theologian and philosopher, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1647 at See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster, and was educated at the collegiate school there, under Dr See also:

• BUSBY
• BUSBY, RICHARD (16o6-1695)

Busby . In 1662 he entered See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, and in 1689 was made See also:

• DEAN (Lat. decanus, derived from the Gr. 8eaa, ten)
• DEAN, FOREST OF

dean in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession to the See also:

• ROMAN

Roman 'See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• MASSEY, GERALD (1828-r9o7)
• MASSEY, SIR EDWARD (c. 1619-c. 1674)

Massey, who had fled to the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

continent . In 1692 he was See also:

• VICE

vice-See also:

• CHANCELLOR (M. Eng. and Anglo-Fr. canceler, chanceler, Fr. chancelier, Lat. cancellarius)

chancellor of the University . In 1702 he was appointed See also:

• RECTOR (Lat. for " ruler," " guide," &c., from regere, " rule ")

rector of See also:

• WEM

Wem in See also:

• SHROPSHIRE (SALOP)

Shropshire, but continued to reside at Oxford, where he died on the 14th of See also:

• DECEMBER (Lat. decent, ten)

December 1710 . He was buried in the See also:

• CATHEDRAL

cathedral without any memorial at his own See also:

• DESIRE

desire . See also:

• ALDRICH, HENRY (1647-1710)
• ALDRICH, NELSON WILMARTH (1841- )
• ALDRICH, THOMAS BAILEY (1836-1907)

Aldrich was a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of unusually varied gifts . A classical See also:

• SCHOLAR, SCHOLARSHIP

scholar of See also:

• FAIR

fair merits, he is best known as the author of a little See also:

• BOOK

book on See also:

• LOGIC (Xoy1K7, sc. rixvrt, the art of reasoning)

logic (Compendium Artis Logicae), a See also:

• WORK

work of little value in itself, but used at Oxford (in 'See also:

• MANSEL, HENRY LONGUEVILLE (1820-1871)

Mansel's revised' edition) till' See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long past the See also:

• MIDDLE

middle of the 19th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . Aldrich also composed a number of anthems and church services of high merit, and adapted much of the See also:

• MUSIC

music of See also:

• PALESTRINA, GIOVANNI PIERLUIGI DA (1526-1594)

Palestrina and See also:

• CARISSIMI, GIACOMO (c. 1604–1674)

Carissimi to English words with See also:

• GREAT

great skill and See also:

• JUDGMENT

judgment . To him we owe the well-known catch, " Hark, the bonny Christ Church bells." See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

Evidence of his skill as an architect may be seen in the church and campanile of All See also:

• SAINTS, BATTLE OF THE

Saints, Oxford, and in three sides of the so-called Peckwater Quadrangle of Christ Church, which were erected after his designs . He See also:

• BORE

bore a great reputation for conviviality', and wrote a humorous Latin version during the See also:

• CIVIL

Civil See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War he was himself editor of the New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York Illustrated See also:

• NEWS

News . In 1865 he moved to See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston and was editor for ten years for See also:

• TICKNOR, GEORGE (1791—1871)

Ticknor and See also:

• FIELDS, JAMES THOMAS (1817-1881)

Fields—then at the height of their See also:

• PRESTIGE

prestige—of the eclectic weekly Every Saturday, discontinued in 1875 . From 1881 to 1890 he was editor of the See also:

• ATLANTIC

Atlantic Monthly .

Meanwhile Aldrich had written much, both in See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse . His See also:

• GENIUS (from Lat. genere, gignere)

genius was many-sided, and it is surprising that so busy an editor and so prolific a writer should have attained the perfection of See also:

• FORM (Lat. forma)

form for which he was remarkable . His successive volumes of verse, chiefly The Ballad of Babie See also:

• BELL
• BELL, ALEXANDER MELVILLE (1819—1905)
• BELL, ANDREW (1753—1832)
• BELL, GEORGE JOSEPH (1770-1843)
• BELL, HENRY (1767-1830)
• BELL, HENRY GLASSFORD (1803-1874)
• BELL, JACOB (1810-1859)
• BELL, JOHN (1691-178o)
• BELL, JOHN (1763-1820)
• BELL, JOHN (1797-1869)
• BELL, ROBERT (1800-1867)
• BELL, SIR CHARLES (1774—1842)

Bell (1856), Pampinea, and Other Poems (1861), See also:

• CLOTH

Cloth of See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

Gold (1874), See also:

• FLOWER (Lat. flos, floris; Fr. fleur)
• FLOWER, SIB

Flower and See also:

• THORN (O. Eng. porn, cf. Du. doorn, Ger. Dorn, &c)
• THORN (Polish Torun)

Thorn (1876), See also:

• FRIAR (from the Lat. (rater, through the Fr. frere)

Friar See also:

• JEROME, JEROME KLAPKA (1859– )
• JEROME, ST (HIERONYMUS, in full EUSEBIUS SOPHRONIUS HIERONYMUS) (c. 340–420)

Jerome's Beautiful Book (1881), Mercedes and Later Lyrics (1883) ,W yndham Towers (1889) , and the collected See also:

• EDITIONS

editions of 1865, 1882, 1897 and 19oo, showed him to be a poet of lyrical skill, dainty See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch and felicitous conceit, the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• HERRICK, ROBERT (1591-1674)

Herrick being constantly apparent . He repeatedly essayed the long narrative or dramatic poem, but seldom with success, See also:

• SAVE, or SAVA (Ger. Sau; Hungarian Szdva; Lat. Savus)

save in such earlier work as Garnaut See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall . But no See also:

• AMERICAN

American poet has shown more skill in describing some single picture, See also:

• MOOD

mood, conceit or See also:

• EPISODE

episode . His best things are such lyrics as " See also:

• HESPERIDES

Hesperides," " When the See also:

• SULTAN (an Arabic word meaning " victorious " or " a ruler," sultat, dominion)

Sultan goes to Ispahan," " Before the See also:

• RAIN (O.E. regn; the word is common to Teutonic languages, cf. Ger. Regen, Swed. and Dan. regn; it has been connected with Lat. rigare, to wet, Gr. 13pixeav)

Rain," "Name-less See also:

• PAIN (from Lat. poena, Gr. robin, penalty, that which must be paid: O. Fr. peine)
• PAIN, BARRY (1867– )

Pain," " The Tragedy," " Seadrift," " See also:

• TIGER
• TIGER (Felis tigris)

Tiger Lilies," " The One See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

White See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

Rose," " Palabras Carinosas," " Destiny," or the eight-See also:

• LINE

line poem " Identity," which did more to spread Aldrich's reputation than any of his See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing after Babie Bell . Beginning with the collection of stories entitled Marjorie Daw and Other See also:

• PEOPLE

People (1873), Aldrich applied to his later prose work that See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute care in See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition which had previously characterized his verse—taking a near, new or salient situation, and setting it before the reader in a See also:

• PRETTY

pretty See also:

• COMBINATION (Lat. combinare, to combine)

combination of kindly See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism and reticent See also:

• HUMOUR (Latin humor)

humour . In the novels, Prudence See also:

• PALFREY
• PALFREY, JOHN GORHAM (1796-1881)

Palfrey (1874), The See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen of Sheba (1877), and The Stillwater Tragedy (188o), there is more rapid See also:

• ACTION

action; but the See also:

• PORTSMOUTH
• PORTSMOUTH, EARLS OF
• PORTSMOUTH, LOUISE DE

Portsmouth pictures in the first' are elaborated with the affectionate touch shown in the shorter humourous See also:

• TALE (O.Eng. talu, number, account, story; the word is common to many Teutonic languages; cf. Ger. Zahl, number, Erzahlung, narrative, Du. taal, speech, language)

tale, A Rivermouth See also:

• ROMANCE

Romance (1877) . In An Old See also:

• TOWN

Town by the See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea (1893) the author's birthplace was once more commemorated, while travel and description are the theme of From Ponkapog to Pesth (1883) . Aldrich died at Boston on the 19th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1907 . His See also:

• LIFE

Life was written by Ferris Greenslet (1908) .