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ULISSI ALDROVANDI (1522-1605)

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Originally appearing in Volume V01, Page 537 of the 1911 Encyclopedia Britannica.
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ULISSI See also:

ALDROVANDI (1522-1605)  , See also:Italian naturalist, was See also:born of See also:noble parentage at See also:Bologna on the 11th of See also:September 1522 . He was apprenticed to a See also:merchant in See also:Brescia, but a commercial career being distasteful to him, he turned'his See also:attention to See also:law and See also:medicine, studying first in his native See also:town and afterwards at See also:Padua . In 1550 he was accused of See also:heresy, but succeeded in clearing himself before the See also:Inquisition . In 1553 he took his See also:doctor's degree in medicine at Bologna, and in' the following See also:year was appointed See also:professor of See also:philosophy and also lecturer on See also:botany at the university . In 156o he was transferred to the See also:chair of natural See also:history . At his instance the See also:senate of Bologna established in 1568 a botanical See also:garden, of which he was appointed the first director . About the same See also:time he became inspector of drugs, and in that capacity published in 1574 a See also:work entitled Antidotarii Bononiensis See also:Epitome, which formed the See also:model for many subsequent pharmacopoeias . He was also instrumental in See also:founding the public museum of Bologna, which contains, especially in the natural history See also:department, a large number of specimens collected by him . The results of his various researches were embodied in a magnum See also:opus, which was designed to include everything that was known about natural history . The first three volumes, comprising his See also:ornithology, were published in 1599, and a See also:fourth, treating of See also:insects, appeared in 16oz_ After his See also:death a number of other volumes were compiled from his See also:manuscript materials, under the editorship of several of his pupils, to whom the task was entrusted by the senate of Bologna . The work was enriched by a large number of illustrations pre-pared at See also:great expense, the author having, it is said, employed several celebrated artists for See also:thirty years . Among these were Lorenzo Benini of See also:Florence and See also:Christopher See also:Coriolanus of See also:Nuremberg .

It has been said, indeed, that the cost of the under-taking was so great as to exhaust its author's means, and that he died penniless and See also:

blind in the public See also:hospital of Bologna . This, however, is probably incorrect, at least as regards the allegation of poverty . Published records of the senate of Bologna show that it liberally supported See also:Aldrovandi in his undertaking, doubling his See also:salary soon after his See also:appointment as professor, and bestowing on him from time to time sums amounting in all to 40,000 crowns . If, therefore, he died in the public hospital, he probably went there for the better treatment of his disease . His death occurred on the loth of May 16o5 . Aldrovandi was chiefly remarkable for laborious and patient See also:research . He seems to have been totally destitute of the See also:critical See also:faculty, and hardly any See also:attempt is made in his great work to classify facts or to distinguish between the true and the fabulous, the important and the trivial . Much is thus included that is of no scientific value, but it also contains much See also:information of very great See also:interest to the naturalist .

End of Article: ULISSI ALDROVANDI (1522-1605)
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