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WILLIBALD See also: German See also: historical novelist
.
He was See also: born on the 29th of See also: June 1798 at See also: Breslau, where his See also: father, who came of a French refugee See also: family, named Hareng, held a high position in the war department
.
He attended the Werdersche Gymnasium in Berlin, and then, serving as a volunteer in the See also: campaign of 1815, took See also: part in the siege of the Ardenne fortresses
.
On his return he studied See also: law at the See also: universities of Berlin and Breslau and entered the legal profession, but he soon abandoned this career and devoted himself to literature
.
Settling in Berlin he edited, 1827-1835, the Berliner Konversationsblatt, in which for the first two years he was assisted by See also: Friedrich Christoph See also: Forster (1791–1868) ; and in 1828 was created a See also: doctor of philosophy by the university of See also: Halle
.
In 1852 he retired to See also: Arnstadt in Thuringia, where after many years of broken See also: health he died on the 16th of See also: December 1871
.
Haring made his name first known as a writer by an idyll in hexameters, Die Treibjagd (182o), and several See also: short stories in which the influence of See also: Tieck is observable; but his See also: literary reputation was first established by the historical See also: romance Walladmor (1823), which, published. as being " freely translated from the See also: English of See also: Sir Walter See also: Scott, with a preface by Willibald See also: Alexis," so closely imitated the See also: style of the famous Scotsman as really to deceive even Scott's admirers
.
The See also: work became
immediately popular and was translated into several See also: languages, including English
.
It was followed by Schloss Avalon (1827), with regard to which the author adopted the same tactics and with equal success
.
These historical novels, however, were of considerable literary merit, and would doubtless have achieved popularity even without the borrowed plumage
.
Soon after-wards Haring published a number of successful short stories (Gesammelte Novellen, 4 vols., 1830-1831), some books of travel, and in the novels Das Haus Dusterweg (1835) and Zwolf Ndchte (1838) showed for a while a leaning towards the " See also: Young German " school
.
In Cabanis (1832), however, a See also: story of the See also: time of See also: Frederick the See also: Great, he entered the See also: field of patriotic-historical romance, in which he so far excelled as to have earned the name of " der Markische Walter Scott " (Walter Scott of the Mark)
.
From 1840 onwards he published at short intervals a series of romances, each dealing with some epoch in theSee also: history of See also: Brandenburg
.
Among them may be especially noted Der See also: Roland von Berlin (1840), Der falsche Woldemar (1842), Die
See also: Hosea See also: des Herrn von Bredow (1846-1848), Ruhe ist die erste
Bib-See also: gee pflick' (1852), Isegrimm (1854) and Dorothe (1856)
.
In all these the author shows himself as a keen observer of men and things; the characters, situations and natural surroundings are excellently delineated, and the patriotic feeling which pervades them is not overdone
.
Haring also made a name for himself in the field of See also: criminology by commencing in 1842, in conjunction with the publicist, See also: Julius Eduard See also: Hitzig (1780-1849), the publication of Der neue Pitaval (continued by A
.
Vollert, 36 vols., See also: Leipzig, 1842-1865; new edition, 24 vols., Leipzig, 1866-1891), a collection of criminal anecdotes culled from all nations and all times
.
This publication attained great popularity, and is to-See also: day of psychological See also: interest and value
.
His Gesammelte Werke were published in 20 volumes (Berlin, 1874) ; the Vaierlandische Ramane separately in 8 volumes (Berlin, 1881, 1884), and, since the expiry of the See also: copyright in 1901, in many cheap reprints
.
Cp
.
W
.
Alexis' Erinneiungen, edited by M
.
Ewert (1900), and essays by Julian See also: Schmidt (Neue Bilder aus dem geistigen Leben unsrer Zeit, 1873), G
.
Freytag (Werke, vols
.
16 and 23), A . Stern (Zur Literatur der Gegenwart, 1880) and T . See also: Fontane (in Bayreuther Blotter, vi., 1883)
.
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