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See also: historical painter, was See also: born at See also: Alloa
.
On leaving See also: Foulis's See also: academy of See also: painting at See also: Glasgow (1762), after seven years'successful study, he obtained the patronage of See also: Lord Cathcart and of See also: Erskine of See also: Mar, on whose estate he had been born
.
The latter furnished him with the means of proceeding to See also: Rome (1764), where he remained for a number of years engaged principally in copying the old masters
.
Among the See also: original See also: works which he then painted was the " Origin of See also: Portraiture "—representing a Corinthian maid See also: drawing her, See also: lover's shadow—well known through Domenico Cunego's excellent See also: engraving
.
This gained for him the gold medal given by the Academy of St See also: Luke in the See also: year 1773 for the best specimen of historical composition
.
Returning from Rome in 1797, he resided for a See also: time in See also: London, and occupied himself in portrait-painting
.
In 178o he removed to See also: Edinburgh, where, on the See also: death of See also: Alexander
See also: Runciman in 1786, he was appointed director and master of the Academy of Arts
.
There he painted and etched in aquatint a variety of works, those by which he is best known—as the "Scotch See also: Wedding," the "Highland Dance," the " Repentance See also: Stool," and his " Illustrations of the Gentle Shepherd "—being remarkable for their comic See also: humour
.
He was called the " Scottish See also: Hogarth "; but his drolleries hardly entitle him to this comparison
.
Allan died at Edinburgh on the 6th of See also: August 1796
.
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