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See also: born at See also: Edinburgh, and at an early age entered as a pupil in the School of Design established in Edinburgh by the See also: Board of Trustees for Arts and Manufactures, where he had as companions, See also: John
See also: Wilkie, John Burnet the engraver, and others who afterward distinguished themselves as artists
.
Here Allan and Wilkie were placed at the same table, studied the same designs, and contracted a lifelong friendship
.
Allan continued his studies for some See also: time in See also: London; but his attempt to establish himself there was unsuccessful, and after exhibiting at the Royal See also: Academy (1805) his first picture, " A Gipsy Boy and Ass," an imitation in See also: style of Opie, he determined, in spite of his scanty resources, to seek his See also: fortune abroad
.
He accordingly set out the same See also: year for See also: Russia, but was carried by stress•of weather to See also: Memel,
where he remained for some time, supporting himself by his pencil
.
At last, however, he reached St See also: Petersburg, where the kindness of See also: Sir See also: Alexander
See also: Crichton, the See also: court physician, and other See also: friends procured him abundant employment
.
By excursions into See also: southern Russia, See also: Turkey, the See also: Crimea and See also: Circassia, he filled his portfolio with vivid sketches, of which he made admirable use in his subsequent pictures
.
In 1814 he returned to Edinburgh, and in the two following years exhibited at the Royal Academy " The Circassian Captives " and " See also: Bashkirs conducting Convicts to See also: Siberia." The former picture remained so long unsold, that, thoroughly disheartened, he threatened to retire to Circassia when, through the kindness of Sir Walter See also: Scott, a subscription of l000 guineas was obtained for the picture, which See also: fell by See also: lot into the possession of the See also: earl of See also: Wemyss
.
About the same time the See also: Grand Duke See also: Nicholas, afterwards See also: tsar of Russia, visited Edinburgh, and See also: purchased his "Siberian Exiles" and "Haslan Gheray See also: crossing the See also: River See also: Kuban," giving a very favourable turn to the fortunes of the painter, whose pictures were now sought for by collectors
.
From this time to 1834 he achieved his greatest success and firmly established his fame by the See also: illustration of Scottish See also: history
.
His most important See also: works of this class were " Archbishop See also: Sharpe on Magus See also: Moor "; " John Knox admonishing Mary See also: Queen of Scots " (1823), engraved by Burnet; " Mary Queen of Scots See also: signing her Abdication " (1824); and " See also: Regent See also: Murray shot by
See also: Hamilton of Bothwellhaugh." The last procured his election as an associate of the Royal Academy (1825)
.
Later Scottish subjects were "
See also: Lord See also: Byron " (1831), portraits of Scott and " The See also: Orphan " (1834), which represented See also: Anne Scott seated near the chair of her deceased See also: father
.
In 183o he was compelled, on account of an attack of ophthalmia, to seek a milder See also: climate, and visited See also: Rome, Naples and Constantinople
.
He returned with a See also: rich store of materials, of which he made excellent use in his " Constantinople Slave Market " and other productions
.
In 1834 he visited See also: Spain and See also: Morocco, and in 1841 went again to St Petersburg, when he undertook, at the See also: request of the tsar, his " See also: Peter the See also: Great teaching his Subjects the See also: Art of See also: Ship-See also: building," exhibited in London in 1845, and now in the Winter Palace of St Petersburg
.
His " See also: Polish Exiles " and " Moorish Love-letter," &c., had secured his election as a Royal Academician in 1835; he was appointed president of the Royal Scottish Academy (1838), and royal limner for Scotland, after Wilkie's See also: death (1841); and in 1842 received the honour of See also: knighthood
.
His later years were occupied with See also: battle-pieces, the last he finished being the second of his two companion pictures of the " Battle of See also: Waterloo." He died on the 22nd of See also: February 1850, leaving a large unfinished picture—" See also: Bruce at See also: Bannockburn."
ALLAN-DESPREAUX, LOUISE ROSALIE (18ro-1856), French actress, was " discovered " by See also: Talma at Brussels in 1820, when she played Joas with him in Athalie
.
At his See also: suggestion she changed her surname, See also: Ross, for her See also: mother's See also: maiden name, and, as Mlle
.
Despreaux, was engaged for See also: children's parts at the Comedie Frangaise
.
At the same time she studied at the Conservatoire
.
By 1825 she had taken the second prize for See also: comedy, and was engaged to See also: play ingenue parts at the Comedie Frangaise, where her first appearance in this capacity was as Jenny in L'Argent on the 8th of See also: December 1826
.
In 1831 the director of the Gymnase succeeded in persuading her to join his See also: company
.
Her six years at this theatre, during which she married Allan, an actor in the company, were a succession of triumphs
.
She was then engaged at the French theatre at St Petersburg
.
Re-turning to See also: Paris, she brought with her, as Legouve says, a thing she had unearthed, through a See also: Russian See also: translation, a little comedy never acted till she took it up, a production See also: half-forgotten, and esteemed by those who knew it as a pleasing piece of See also: work in the Marivaux style—Un Caprice by See also: Alfred de Musset, which she had played with success in St Petersburg
.
Her selection of this piece for her reappearance at the Theatre Frangaise (1847) laid the corner- See also: stone of Musset's lasting fame as a dramatist
.
In the following year his comedy Il ne fact jurer de rien was acted at the same theatre, and thus led to the production of his finer plays
.
Among plays by other authors in which Mme
.
Allan won
See also: special laurels at the Theatre Frangaise, were See also: Par droit de conquete,
Peril en la demeure, La joie fait peur, and Lady Tartuffe
.
In the last, with a See also: part of only fifty lines, and playing by the very See also: side of the great See also: Rachel, she yet held her own as an actress of the first See also: rank
.
Mme
.
Allan died in Paris, in the height of her popularity,
in See also: March 1856
.
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