See also:SIR See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
WILLIAM See also:ALLAN (1782–1850)
, Scottish painter, was See also:born at See also:Edinburgh, and at an See also:early See also:age entered as a See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil in the School of See also:Design established in Edinburgh by the See also:Board of Trustees for Arts and Manufactures, where he had as companions, See also:John See also:Wilkie, John See also:Burnet the engraver, and others who afterward distinguished themselves as artists
.
Here See also:Allan and Wilkie were placed at the same table, studied the same designs, and contracted a lifelong friendship
.
Allan continued his studies for some See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in See also:London; but his See also:attempt to establish himself there was unsuccessful, and after exhibiting at the Royal See also:Academy (1805) his first picture, " A Gipsy Boy and See also:Ass," an See also:imitation in See also:style of See also:Opie, he determined, in spite of his scanty resources, to seek his See also:fortune abroad
.
He accordingly set out the same See also:year for See also:Russia, but was carried by stress•of See also:weather to See also:Memel,
where he remained for some time, supporting himself by his See also:pencil
.
At last, however, he reached St See also:Petersburg, where the kindness of See also:Sir See also:Alexander See also:Crichton, the See also:court physician, and other See also:friends procured him abundant employment
.
By excursions into See also:southern Russia, See also:Turkey, the See also:Crimea and See also:Circassia, he filled his See also:portfolio with vivid sketches, of which he made admirable use in his subsequent pictures
.
In 1814 he returned to Edinburgh, and in the two following years exhibited at the Royal Academy " The Circassian Captives " and " See also:Bashkirs conducting Convicts to See also:Siberia." The former picture remained so See also:long unsold, that, thoroughly disheartened, he threatened to retire to Circassia when, through the kindness of Sir See also:Walter See also:Scott, a subscription of l000 guineas was obtained for the picture, which See also:fell by See also:lot into the See also:possession of the See also:earl of See also:Wemyss
.
About the same time the See also:Grand See also:Duke See also:Nicholas, afterwards See also:tsar of Russia, visited Edinburgh, and See also:purchased his "Siberian Exiles" and "Haslan Gheray See also:crossing the See also:River See also:Kuban," giving a very favourable turn to the fortunes of the painter, whose pictures were now sought for by collectors
.
From this time to 1834 he achieved his greatest success and firmly established his fame by the See also:illustration of Scottish See also:history
.
His most important See also:works of this class were " See also:Archbishop See also:Sharpe on Magus See also:Moor "; " John See also:Knox admonishing See also:Mary See also:Queen of Scots " (1823), engraved by Burnet; " Mary Queen of Scots See also:signing her See also:Abdication " (1824); and " See also:Regent See also:- MURRAY
- MURRAY (or MORAY), EARLS OF
- MURRAY (or MORAY), JAMES STUART, EARL OF (c. 1531-1570)
- MURRAY (or MORAY), SIR ROBERT (c. 1600-1673)
- MURRAY, ALEXANDER STUART (1841-1904)
- MURRAY, DAVID (1849– )
- MURRAY, EUSTACE CLARE GRENVILLE (1824–1881)
- MURRAY, JAMES (c. 1719-1794)
- MURRAY, JOHN
- MURRAY, JOHN (1778–1820)
- MURRAY, LINDLEY (1745–1826)
- MURRAY, LORD GEORGE (1694–1760)
- MURRAY, SIR JAMES AUGUSTUS HENRY (1837– )
- MURRAY, SIR JOHN (1841– )
Murray shot by See also:- HAMILTON
- HAMILTON (GRAND or ASHUANIPI)
- HAMILTON, ALEXANDER (1757-1804)
- HAMILTON, ANTHONY, or ANTOINE (1646-1720)
- HAMILTON, ELIZABETH (1758–1816)
- HAMILTON, EMMA, LADY (c. 1765-1815)
- HAMILTON, JAMES (1769-1831)
- HAMILTON, JAMES HAMILTON, 1ST DUKE OF (1606-1649)
- HAMILTON, JOHN (c. 1511–1571)
- HAMILTON, MARQUESSES AND DUKES OF
- HAMILTON, PATRICK (1504-1528)
- HAMILTON, ROBERT (1743-1829)
- HAMILTON, SIR WILLIAM
- HAMILTON, SIR WILLIAM (1730-1803)
- HAMILTON, SIR WILLIAM ROWAN (1805-1865)
- HAMILTON, THOMAS (1789-1842)
- HAMILTON, WILLIAM (1704-1754)
- HAMILTON, WILLIAM GERARD (1729-1796)
Hamilton of Bothwellhaugh." The last procured his See also:election as an See also:associate of the Royal Academy (1825)
.
Later Scottish subjects were " See also:Lord See also:Byron " (1831), portraits of Scott and " The See also:Orphan " (1834), which represented See also:Anne Scott seated near the See also:chair of her deceased See also:father
.
In 183o he was compelled, on See also:account of an attack of ophthalmia, to seek a milder See also:climate, and visited See also:Rome, See also:Naples and See also:Constantinople
.
He returned with a See also:rich See also:store of materials, of which he made excellent use in his " Constantinople Slave See also:Market " and other productions
.
In 1834 he visited See also:Spain and See also:Morocco, and in 1841 went again to St Petersburg, when he undertook, at the See also:request of the tsar, his " See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter the See also:Great teaching his Subjects the See also:Art of See also:Ship-See also:building," exhibited in London in 1845, and now in the See also:Winter See also:Palace of St Petersburg
.
His " See also:Polish Exiles " and " Moorish Love-See also:letter," &c., had secured his election as a Royal Academician in 1835; he was appointed See also:president of the Royal Scottish Academy (1838), and royal limner for See also:Scotland, after Wilkie's See also:death (1841); and in 1842 received the See also:honour of See also:knighthood
.
His later years were occupied with See also:battle-pieces, the last he finished being the second of his two See also:companion pictures of the " Battle of See also:Waterloo." He died on the 22nd of See also:February 1850, leaving a large unfinished picture—" See also:Bruce at See also:Bannockburn."
ALLAN-DESPREAUX, See also:LOUISE ROSALIE (18ro-1856), See also:French actress, was " discovered " by See also:Talma at See also:Brussels in 1820, when she played Joas with him in Athalie
.
At his See also:suggestion she changed her surname, See also:Ross, for her See also:mother's See also:maiden name, and, as Mlle
.
Despreaux, was engaged for See also:children's parts at the Comedie Frangaise
.
At the same time she studied at the See also:Conservatoire
.
By 1825 she had taken the second See also:prize for See also:comedy, and was engaged to See also:play ingenue parts at the Comedie Frangaise, where her first See also:appearance in this capacity was as Jenny in L'Argent on the 8th of See also:December 1826
.
In 1831 the director of the Gymnase succeeded in persuading her to join his See also:company
.
Her six years at this See also:theatre, during which she married Allan, an actor in the company, were a See also:succession of triumphs
.
She was then engaged at the French theatre at St Petersburg
.
Re-turning to See also:Paris, she brought with her, as See also:Legouve says, a thing she had unearthed, through a See also:Russian See also:translation, a little comedy never acted till she took it up, a See also:production See also:half-forgotten, and esteemed by those who knew it as a pleasing piece of See also:work in the See also:Marivaux style—Un Caprice by See also:Alfred de See also:Musset, which she had played with success in St Petersburg
.
Her selection of this piece for her reappearance at the Theatre Frangaise (1847) laid the corner-See also:- STONE
- STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
- STONE, CHARLES POMEROY (1824-1887)
- STONE, EDWARD JAMES (1831-1897)
- STONE, FRANK (1800-1859)
- STONE, GEORGE (1708—1764)
- STONE, LUCY [BLACKWELL] (1818-1893)
- STONE, MARCUS (184o— )
- STONE, NICHOLAS (1586-1647)
stone of Musset's lasting fame as a dramatist
.
In the following year his comedy Il ne fact jurer de rien was acted at the same theatre, and thus led to the production of his finer plays
.
Among plays by other authors in which Mme
.
Allan won See also:special laurels at the Theatre Frangaise, were See also:Par See also:droit de conquete,
Peril en la demeure, La joie fait peur, and See also:Lady Tartuffe
.
In the last, with a See also:part of only fifty lines, and playing by the very See also:side of the great See also:Rachel, she yet held her own as an actress of the first See also:rank
.
Mme
.
Allan died in Paris, in the height of her popularity,
in See also:March 1856
.
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