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GREGORIO See also: Italian See also: priest and musical composer, probably of the See also: Correggio See also: family, was See also: born at See also: Rome either in 156o or in 1585
.
He studied See also: music under G
.
Maria Nanini, the intimate friend of Palestrina
.
Being intended for the See also: church, he obtained a
See also: benefice in the See also: cathedral of See also: Fermo
.
Here he composed a large number of motets and sacred pieces, which, being brought under the See also: notice of See also: Pope See also: Urban VIII., obtained for him an See also: appointment in the choir of the Sistine See also: Chapel at Rome
.
He held this from See also: December 1629 till his See also: death on the 18th of See also: February 1652
.
His character seems to have been singularly pure and benevolent
.
Among the musical compositions of See also: Allegri were two volumes of concerti, published in 1618 and 1619; two volumes of motets, published in 162o and 1621; besides a number of See also: works still in See also: manuscript
.
He was one of the earliest composers for stringed See also: instruments, and See also: Kircher has given one specimen of this class of his works in the Musurgia
.
But the most celebrated composition of Allegri is the Miserere, still annually performed in the Sistine Chapel at Rome
.
It is written for two choirs, the one of five and the other of four voices, and has obtained a celebrity which, if not entirely factitious, is certainly not due to its intrinsic merits alone
.
The mystery in which the composition was long enshrouded, no single copy being allowed to reach the public, the place. and circumstances of the performance, and the added embellishments of the singers, account to a See also: great degree for much of the impressive effect of which all who have heard the music speak
.
This view is confirmed by the fact that, when the music was performed at Venice by permission of the pope, it produced so little effect that the emperor Leopold I., at whoseSee also: request the manuscript had been sent, thought that something else had been substituted
.
In spite of the precautions of the popes, the Miserere has long been public See also: property
.
In 1769 Mozart (q.v.) heard it and wrote it down, and in 1771 a copy was procured and published in See also: England by Dr See also: Burney
.
The entire music performed at Rome in See also: Holy Week, Allegri's Miserere included, has been issued at See also: Leipzig by Breitkopf and Hartel
.
Interesting accounts of the impression produced by the performance at Rome may be found in the first See also: volume of Mendelssohn's letters and in See also: Miss See also: Taylor's Letters from
See also: Italy
.
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