ALBRECHT See also:

• ALBRECHT ALTDORFER (? 1480–1538)

ALTDORFER (? 1480–1538)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter and engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• REGENSBURG (RATISBON)

Regensburg (Ratisbon), where in 15o5 he was enrolled a burgher, and described as " twenty-five years old." Soon afterwards he is known to have been prosperous, and as See also:

• CITY (through Fr. cite, from Lat. civitas)

city architect he erected fortifications and a public slaughter-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house . See also:

• ALTDORFER, ALBRECHT (? 1480–1538)

Altdorfer has been called the" See also:

• GIORGIONE
• GIORGIONE (1477-1510)

Giorgione of the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North." His paintings are remarkable for See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute and careful finish, and for See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close study of nature . The most important of them are to be found in the Pinakothek at See also:

• MUNICH (Ger. Munchen)

Munich . A See also:

• REPRESENTATION

representation of the See also:

• BATTLE

battle of See also:

• ARBELA (ARBA`IL, i.e. " Four-god-city")

Arbela (1529), included in that collection, is usually considered his See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• WORK

work . His engravings on See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood and See also:

• COPPER (symbol Cu, atomic weight 63.1, H=1, or 63.6, O = 16)

copper are very numerous, and See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank next to those of Albrecht See also:

• DURER, ALBRECHT (1471-1528)

Durer . The most important collection is at the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin museum . Albrecht's See also:

• BROTHER

brother, Erhard Altdorfer, was also a painter and engraver, and a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• LUCAS, CHARLES (1713–1771)
• LUCAS, JOHN SEYMOUR (1849– )
• LUCAS, SIR CHARLES (d. 1648)

Lucas See also:

• CRANACH, LUCAS (1472-1553)

Cranach .