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See also: work called L'Estoire de la guerre sainte, which describes in rhyming French verse the adventures of See also: Richard Coeur de See also: Lion as a crusader
.
The poem is known to us only through one Vatican MS., and long escaped the See also: notice of historians
.
The See also: credit for detecting its value belongs to the See also: late Gaston See also: Paris, although his edition (1897) was partially anticipated by the editors of the Monumenta Germaniae Historica, who published some selections in the twenty-seventh See also: volume of their Scriptores (1885)
.
See also: Ambrose followed Richard I. as a non-, combatant, and not improbably as a See also: court-See also: minstrel
.
He speaks as an See also: eye-witness of the See also: king's doings at
See also: Messina, in See also: Cyprus, at the siege of See also: Acre, and in the abortive See also: campaign which followed the capture of that city
.
Ambrose is surprisingly accurate in his chronology; though he did not See also: complete his work before 1195, it is evidently founded upon notes which he had taken in the course of his pilgrimage
.
He shows no greater See also: political insight than we should expect from his position; but relates what he had seen and heard with a naive vivacity which compels See also: attention
.
He is prejudiced against the See also: Saracens, against the French, and against all the rivals or enemies of his master; but he is never guilty of deliberate misrepresentation
.
He is rather to be treated as a biographer than as a historian of the Crusade in its broader aspects
.
None the less he is the chief authority for the events of the years 1190-1192, so far as these are connected with the See also: Holy See also: Land
.
The Itinerarium Regis Ricardi (formerlyattributed to Geoffrey Vinsauf, but in reality the work of Richard, a See also: canon of Holy Trinity, See also: London) is little more than a See also: free paraphrase of Ambrose
.
The first See also: book of the Itinerarium contains some additional facts; and the whole of the Latin version is adorned with See also: flowers of rhetoric which are See also: foreign to the See also: style of Ambrose
.
But it is no longer possible to regard the Itinerarium as a first- See also: hand narrative
.
Stubbs's edition of the Itinerarium (Rolls Series, 1864), in which the contrary hypothesis, is maintained, appeared before Gaston Paris published his See also: discovery
.
See the edition of L'Estoire de la guerre sainte by Gaston Paris in the Collection See also: des documents inedits sur l'histoire de See also: France (1897); the editor discusses in his introduction the biography of Ambrose, the value of the poem as a See also: historical source, and its relation to the Itinerarium
.
R
.
See also: Pauli's remarks (iri Monumenta Germaniae Historica
.
Scriptores, See also: xxvii.) also deserve attention
.
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