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See also: wood, was See also: born at Zurich
.
Of his See also: personal See also: history little is known beyond the fact that he removed in 156o to See also: Nuremberg, where he continued to reside until his See also: death in See also: March 1S91
.
His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a
See also: period of four years would have filled a See also: hay See also: wagon
.
A large number of his See also: original drawings are contained in the Berlin collection of engravings
.
The genuineness of not a few of the specimens to be seen elsewhere is at least questionable
.
A series of copperplate engravings by Amman of the See also: kings of See also: France, with See also: short See also: biographies, appeared at See also: Frankfort in 1576
.
He also executed many of the woodcut illustrations for the See also: Bible published at Frankfort by See also: Sigismund Feierabend
.
Another serial See also: work, the Panoplia Omnium Liberalium Mechanicarum et Sedentariarum Artium Genera Continens, containing 115 plates, is of See also: great value
.
Amman's See also: drawing is correct and spirited, and his delineation of the details of See also: costume, &c., is minute and accurate
.
He executed too much, however, to permit of his reaching the highest See also: style of See also: art
.
Paintings in oil and on See also: glass are attributed to him, but no specimen of these is known to exist
.
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