See also:

• JOST, ISAAK MARKUS (1793–1860)

JOST See also:

• AMMAN, JOHANN CONRAD (1669-c.773o)
• JOST AMMAN (1539-1591)
• AMMAN, PAUL (1634-1691)

AMMAN (1539-1591)  , Swiss artist, celebrated chiefly for his engravings on See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ZURICH
• ZURICH (Fr. Zurich; Ital. Zurigo)

Zurich . Of his See also:

• PERSONAL

personal See also:

• HISTORY

history little is known beyond the fact that he removed in 156o to See also:

• NUREMBERG (Ger. Nurnberg)

Nuremberg, where he continued to reside until his See also:

• DEATH

death in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1S91 . His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of four years would have filled a See also:

• HAY
• HAY (a word common in various forms to Teutonic languages; cf. Ger. Heu, Dutch hooi; the root from which it is derived, meaning " to cut," is also seen in " to hew "; cf. " hoe ")
• HAY, GEORGE (1729—1811)
• HAY, GILBERT
• HAY, JOHN (1838–1905)

hay See also:

• WAGON, or WAGGON

wagon . A large number of his See also:

• ORIGINAL

original drawings are contained in the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin collection of engravings . The genuineness of not a few of the specimens to be seen elsewhere is at least questionable . A See also:

• SERIES (a Latin word from serere, to join)

series of copperplate engravings by See also:

• AMMAN, JOHANN CONRAD (1669-c.773o)
• AMMAN, JOST (1539-1591)
• AMMAN, PAUL (1634-1691)

Amman of the See also:

• KINGS, FIRST AND SECOND BOOKS OF

kings of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, with See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• BIOGRAPHIES

biographies, appeared at See also:

• FRANKFORT

Frankfort in 1576 . He also executed many of the woodcut illustrations for the See also:

• BIBLE
• BIBLE, ENGLISH

Bible published at Frankfort by See also:

• SIGISMUND (1368-1437)

Sigismund Feierabend . Another serial See also:

• WORK

work, the Panoplia Omnium Liberalium Mechanicarum et Sedentariarum Artium Genera Continens, containing 115 plates, is of See also:

• GREAT

great value . Amman's See also:

• DRAWING

drawing is correct and spirited, and his delineation of the details of See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume, &c., is See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute and accurate . He executed too much, however, to permit of his reaching the highest See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• ART

art . Paintings in oil and on See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass are attributed to him, but no specimen of these is known to exist .