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See also: history (See also: Liber Memorialis) from the earliest times to the reign of Trajan
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Its See also: object and scope are sufficiently indicated in the dedication to a certain Macrinus: " Since you See also: desire to know everything, I have written this ` See also: book of notes,' that you may learn of what the universe and its elements consist, what the See also: world contains, and what the human See also: race has done." It seems to have been intended as a text-book to be learnt by See also: heart
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The little See also: work, in fifty chapters, gives a sketch of cosmography, geography, See also: mythology (chaps. i.–x.), and history (See also: chap. x.–end)
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The See also: historical portion, dealing mainly with the republican See also: period, is untrustworthy, and the text in many places corrupt; the earlier chapters are more valuable, and contain some interesting information
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In chap. viii
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(Miracula Mundi) occurs the only reference in an See also: ancient writer to the famoussculptures of See also: Pergamum, discovered in 1871, excavated in 187$ and now at Berlin: " At Pergamum there is a See also: great marble altar, 40 ft. high, with See also: colossal sculptures, representing a See also: battle of the giants." Nothing is known of the author or of the date at which he lived: the times of Trajan, See also: Hadrian, See also: Antoninus See also: Pius, the beginning of the 3rd century, and the age of See also: Diocletian and See also: Constantine have all been suggested
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The Macrinus to whom the work is dedicated may have been the emperor, who reigned 217–218, but the name is not uncommon, and it seems more likely that he was a See also: young See also: man with a thirst for universal know-ledge, which the Liber Memorialis was compiled to satisfy
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There is no See also: English edition or See also: translation
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The first edition of See also: Ampelius was published in 1638 by See also: Salmasius (Saumaise) from the See also: Dijon MS., now lost, together with the Epitome of Florus; the latest edition is by Wolflfin (1854), based on Salmasius's copy of the lost codex
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See See also: Glaser, Rheinisches Museum, ii
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(1843); Zink, Eos, ii
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(1866); Wolfllin, De L
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Ampelii Libro Memoriali (1854) . |
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