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See also: born at Schinznach, in the See also: canton of See also: Aargau
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He studied his See also: art under Johan Heinrich Lips (1758–1817) and Karl See also: Ernst Hess, at See also: Munich, and from 1816 pursued it in See also: Italy, and chiefly at See also: Rome, till in 1829 he succeeded his former master Hess as professor of copper See also: engraving in the Munich See also: academy
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The See also: works he designed and engraved are remarkable for the See also: grace of the figures, and for the wonderful skill with which he retains and expresses the characteristics of the See also: original paintings and statues
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He was a passionate admirer of See also: Raphael, and had See also: great success in reproducing his works
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See also: Amsler's See also: principal engravings are: " The Triumphal See also: March of
See also: Alexander the Great," and a full-length " Christ," after the sculptures of
See also: Thorwaldsen and Dannecker; the " Entombment of Christ," and two " Madonnas " after Raphael; and the " Union between See also: Religion and the Arts," after Overbeck, his last See also: work, on which he spent six years
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