See also:

• SAMUEL

SAMUEL See also:

• SAMUEL AMSLER (1791–1849)

AMSLER (1791–1849)  , Swiss engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Schinznach, in the See also:

• CANTON
• CANTON (borrowed from the Ital. cantone, a corner or angle)
• CANTON (more correctly KWANG-CHOW Fu)
• CANTON, JOHN (1718-1772)

canton of See also:

• AARGAU (Fr. Argovie)

Aargau . He studied his See also:

• ART

art under Johan Heinrich Lips (1758–1817) and Karl See also:

• ERNST, HEINRICH WILHELM (1814–1865)

Ernst See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

Hess, at See also:

• MUNICH (Ger. Munchen)

Munich, and from 1816 pursued it in See also:

• ITALY
• ITALY (Italia)

Italy, and chiefly at See also:

• ROME
• ROME (Roma)

Rome, till in 1829 he succeeded his former See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master Hess as See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• COPPER (symbol Cu, atomic weight 63.1, H=1, or 63.6, O = 16)

copper See also:

• ENGRAVING

engraving in the Munich See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy . The See also:

• WORKS

works he designed and engraved are remarkable for the See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace of the figures, and for the wonderful skill with which he retains and expresses the characteristics of the See also:

• ORIGINAL

original paintings and statues . He was a passionate admirer of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael, and had See also:

• GREAT

great success in reproducing his works . See also:

• AMSLER, SAMUEL (1791–1849)

Amsler's See also:

• PRINCIPAL

principal engravings are: " The Triumphal See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March of See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander the Great," and a full-length " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ," after the sculptures of See also:

• THORWALDSEN, BERTEL (1770.1844)

Thorwaldsen and See also:

• DANNECKER, JOHANN HEINRICH VON (1758-1841)

Dannecker; the " Entombment of Christ," and two " Madonnas " after Raphael; and the " See also:

• UNION
• UNION (known locally as Union Hill and officially as Town of Union)

Union between See also:

• RELIGION
• RELIGION, FOLKLORE, CUSTOM

Religion and the Arts," after See also:

• OVERBECK, JOHANN FRIEDRICH (1789-1869)

Overbeck, his last See also:

• WORK

work, on which he spent six years .