See also:

• ANACHRONISM (from ava, back, and xpovor, time)

ANACHRONISM (from See also:

• AVA

ava, back, and xpovor, See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time)  , a neglect or falsification, whether wilful or undesigned, of See also:

• CHRONOLOGICAL

chronological relation . Its commonest use restricts it to the ante-dating of events, circumstances or customs; in other words, to the introduction, especially in See also:

• WORKS

works of See also:

• IMAGINATION

imagination that See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest on a See also:

• HISTORICAL

historical basis, of details borrowed from a later See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . Anachronisms may be committed in many ways, originating, for instance, in disregard of the different modes of See also:

• LIFE

life and thought that characterize different periods, or in See also:

• IGNORANCE (Lat. ignorantia, from ignorare, not to know); want of knowledge, a state of mind which in law has important consequences. A well-known legal maxim runs: ignorantia juris non excusat ("ignorance of the law does not excuse")

ignorance of the progress 906 of the arts and sciences and the other ascertained facts of See also:

• HISTORY

history, and may vary from glaring inconsistency to scarcely perceptible misrepresentation . Much of the thought entertained about the past is so deficient in historical See also:

• PERSPECTIVE (Lat. peespicere, to see through)

perspective as to be little better than a continuous See also:

• ANACHRONISM (from ava, back, and xpovor, time)

anachronism . It is only since the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of the 18th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century that this See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind of untruthfulness has jarred on the See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general intelligence . Anachronisms abound in the works of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael and See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare, as well as in those of the meanest daubers and playwrights of earlier times . In particular, the artists, on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage and on the See also:

• CANVAS

canvas, in See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story and in See also:

• SONG

song, assimilated their dramatis personae to their own See also:

• NATIONALITY

nationality and their own See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . The Virgin was represented here as an See also:

• ITALIAN

Italian contadina, and there as a Flemish frow; See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander the See also:

• GREAT

Great appeared on the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French stage in the full See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume of See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIV. down to the time of See also:

• VOLTAIRE, FRANCOIS MARIE AROUET DE (1694–1778)

Voltaire; and in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England the contemporaries of See also:

• ADDISON, JOSEPH (1672-1719)

Addison could behold, without any suspicion of See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque, ` See also:

• CATO, DIONYSIUS
• CATO, MARCUS PORCIUS (234—149 B.c.)
• CATO, MARCUS PORCIUS (95-46 B.c.)
• CATO, PUBLIUS VALERIUS

Cato's See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• WIG (short for " periwig," an alternative form of " peruke," Fr. perruque; cf. Span. peluca; conjecturally derived from Lat. pilus)

wig, See also:

• FLOWER (Lat. flos, floris; Fr. fleur)
• FLOWER, SIB

flower'd See also:

• GOWN

gown, and See also:

• LACQUER, or LACICER

lacquer'd See also:

• CHAIR (in. Mid. Eng. chcere, through O. Fr. chaire or chaiere, from Lat. cathedra, later caledra, Gr. xaOi3pa, seat, cf. "cathedral"; the modern Fr. form chaise, a chair, has been adopted in English with a particular meaning as a form of carriage; chaire

chair." See also:

• MODERN

Modern See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism, the progress of archaeological See also:

• RESEARCH (O. Fr. recerche, from recercher, re- and cercer, mod. chercher, to search; Late Lat. circare, to go round in a circle, to explore)

research, and the more scientific spirit of history, have made an anachronism an offence, where our ancestors saw none .