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ANACHRONISM (from See also: chronological relation
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Its commonest use restricts it to the ante-dating of events, circumstances or customs; in other words, to the introduction, especially in See also: works of See also: imagination that rest on a See also: historical basis, of details borrowed from a later age
.
Anachronisms may be committed in many ways, originating, for instance, in disregard of the different modes of See also: life and thought that characterize different periods, or in ignorance of the progress
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of the arts and sciences and the other ascertained facts of See also: history, and may vary from glaring inconsistency to scarcely perceptible misrepresentation
.
Much of the thought entertained about the past is so deficient in historical perspective as to be little better than a continuous anachronism
.
It is only since the close of the 18th century that this kind of untruthfulness has jarred on the general intelligence
.
Anachronisms abound in the works of See also: Raphael and See also: Shakespeare, as well as in those of the meanest daubers and playwrights of earlier times
.
In particular, the artists, on the stage and on the See also: canvas, in See also: story and in See also: song, assimilated their dramatis personae to their own See also: nationality and their own See also: time
.
The Virgin was represented here as an See also: Italian contadina, and there as a Flemish frow; See also: Alexander the
See also: Great appeared on the French stage in the full See also: costume of See also: Louis XIV. down to the time of Voltaire; and in
See also: England the contemporaries of See also: Addison could behold, without any suspicion of burlesque,
` See also: Cato's long wig, flower'd See also: gown, and See also: lacquer'd chair."
See also: Modern See also: realism, the progress of archaeological research, and the more scientific spirit of history, have made an anachronism an offence, where our ancestors saw none
.
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