See also:

• FRANCESCO
• FRANCESCO, 210

FRANCESCO See also:

• FRANCESCO ANDREINI

ANDREINI  , See also:

• ITALIAN

Italian actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PISTOIA
• PISTOIA, SYNOD OF

Pistoia in the last See also:

• HALF

half of the 16th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . He was a member of the See also:

• ANDREOSSY

ANDREOSSY 971 See also:

• COMPANY

company of the Gelosi which See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry IV. summoned to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris to please his See also:

• BRIDE (a common Teutonic word, e.g..Goth. bruths, O. Eng. bryd, O. H. Ger. prs2t, Mod. Ger. Bract, Dut. bruid, possibly derived from the root bru-, cook, brew; from the med. latinized form bruta, in the sense of daughter-in-law, is derived the Fr. bru)

bride, the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen See also:

• MARIE

Marie de' See also:

• MEDICI
• MEDICI, GIACOMO (1817-1882)

Medici . His wife See also:

• ISABELLA (1451-15o4)
• ISABELLA, ISABEAU

ISABELLA See also:

• ANDREINI, FRANCESCO

ANDREINI (1562-1604) was a member of her See also:

• HUSBAND

husband's company, distinguished alike for her acting and her See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character,—commemorated in the See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal struck at See also:

• LYONS
• LYONS (Fr. Lyon)
• LYONS, COUNCILS OF
• LYONS, EDMUND LYONS, BARON (1790-1858)
• LYONS, RICHARD BICKERTON PEMELL LYONS, 1ST EARL (1817–1887)

Lyons in the See also:

• YEAR

year of her See also:

• DEATH

death, with her portrait on one See also:

• SIDE
• SIDE (mod. Eski Adalia)

side, and the firfire of Fame on the See also:

• REVERSE

reverse with the words aeterna See also:

• FAMA (Gr. cI i.a1, "Ovoa)

fama . She was also known in literature, her books including a See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral, Mirtilla (See also:

• VERONA
• VERONA, CONGRESS OF

Verona, 1588), a See also:

• VOLUME

volume of songs, sonnets and other poems (See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan, 16or), and a collection of letters, published after her death . She inspired many of the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poets, notably See also:

• ISAAC (Hebrew for " he laughs," on explanatory references to the name, see ABRAHAM)

Isaac du Ryer (d. c . 1631) . Her son GIAMBATTISTA ANDREINI (1578-1650) was born in See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, and had a See also:

• GREAT

great success as a comedian in Paris under the name of Leylio . He was a favourite with See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIII., and also with the public, especially as the young See also:

• LOVER, SAMUEL (1797-1868)

lover . He See also:

• LEFT

left a number of plays full of extravagant See also:

• IMAGINATION

imagination . The best known are L'Adamo (Milan, 1613), The Penitent Magdalene (See also:

• MANTUA (Ital. Mantova)

Mantua, 1617), and The Centaur (Paris, 1622) . From the first of these three volumes, which are extremely rare, Italians have often asserted that See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton, travelling at that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in their See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country, took the See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of See also:

• PARADISE (Gr. lrap6BEwos)

Paradise Lost .