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ANTHEM , derived from the Gr. twrid,wva, through the Saxon antefn, a word which originally had the same meaning as See also: anti-phony (q.v.)
.
It is now, however, generally restricted to a See also: form of See also: church
See also: music, particularly in the service of the Church of See also: England, in which it is appointed by the rubrics to follow the third collect at both See also: morning and evening prayer, " in choirs and places where they sing." It is just as usual in this place to have an ordinary hymn as an anthem, which is a more elaborate composition than the congregational See also: hymns
.
Several anthems are included in the See also: English See also: coronation service
.
The words are selected from See also: Holy Scripture or in some cases from the See also: Liturgy, and the music is generally more elaborate and varied than that of psalm or hymn tunes
.
Anthems may be written for See also: solo voices only, for the full choir, or for both, and acording to this distinction are called respectively Verse, Full, and Full with Verse
.
Though the anthem of the Church of England is analogous to the See also: motet of the See also: Roman Catholic and Lutheran Churches, both being written for a trained choir and not for the See also: congregation, it is as a musical form essentially English in its origin and development
.
The English school of musicians has from the first devoted its chief See also: attention to this form, and scarcely a composer of any note can be named who has not written several See also: good anthems
.
Tallis, Tye, See also: Byrd, and See also: Farrant in the 16th century; Orlando Gibbons, See also: Blow, and See also: Purcell in the 17th, and Croft, See also: Boyce, See also: James Kent, James
See also: Nares, Benjamin Cooke, and See also: Samuel See also: Arnold in the 18th were famous composers of anthems, and in more See also: recent times the names are too numerous to mention
.
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