See also:

• ANDRE, JOHN (1751-178o)

ANDRE See also:

• ANDRE ANTOINE (1858- )

ANTOINE (1858- )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actor-manager, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LIMOGES

Limoges, and in his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early years was in business . But he was an enthusiastic See also:

• AMATEUR (Lat. amator, lover)

amateur actor, and in 1887 he founded in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre Libre, in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to realize his ideas as to the proper development of dramatic See also:

• ART

art . For an See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his See also:

• WORK

work, which had enormous See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence on the French See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, see See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

DRAMA: See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . In 1894 he gave up the direction of this theatre, and became connected with the Gymnase, and later (1886) with the Odeon .