See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO See also:

• VIVARINI

VIVARINI (Antonio of See also:

• MURANO (anc. Ammariuno)

Murano)  was probably the earliest of this See also:

• FAMILY

family . He came from the school of See also:

• ANDREA, GIOVANNI (1275-1348)

Andrea da See also:

• MURANO (anc. Ammariuno)

Murano, and his See also:

• WORKS

works show the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• GENTILE
• GENTILE, C

Gentile da See also:

• FABRIANO

Fabriano . The earliest known date of a picture of his, an See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-piece in the Venetian See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy, is 1440; the latest, in the Lateran museum, 1464, but he appears to have been alive in 1470 . He worked in See also:

• COMPANY

company with a certain " Joannes de Alemania," who has been (with considerable doubt) regarded as a See also:

• BROTHER

brother (Giovanni of Murano), but no trace of this painter exists of a date later than 1447 . After 1447 See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio painted either alone or in See also:

• COMBINATION (Lat. combinare, to combine)

combination with his younger brother Bartolommeo . The works of Antonio are well See also:

• DRAWN

drawn for their See also:

• EPOCH (Gr. E7roxij, holding in suspense, a pause, from E1rxav, to hold up, to stop)

epoch, with a certain noticeable degree of softness, and with See also:

• GOOD, JOHN MASON (1764-1827)

good flesh and other tints . Three of his See also:

• PRINCIPAL

principal paintings are the " Virgin Enthroned with the Four Doctors of the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church," the See also:

• CORONATION (Lat. corona, crown)

Coronation of the Virgin," and " Sts See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter and See also:

• JEROME, JEROME KLAPKA (1859– )
• JEROME, ST (HIERONYMUS, in full EUSEBIUS SOPHRONIUS HIERONYMUS) (c. 340–420)

Jerome." The first two (in which Giovanni co-operated) are in the Venetian academy, the third in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, See also:

• LONDON

London . This gallery contains also specimens of the two under-named painters .