See also:

• ANDREA, GIOVANNI (1275-1348)

ANDREA See also:

• ANDREA APPIANI (1754-1817)

APPIANI (1754-1817)  , the best See also:

• FRESCO (Ital. for cool, " fresh ")

fresco painter of his See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan . He was made pensioned artist to the See also:

• KINGDOM

kingdom of See also:

• ITALY
• ITALY (Italia)

Italy by See also:

• NAPOLEON

Napoleon, but lost his See also:

• ALLOWANCE (from "allow,' derived through 0. Fr. alouer from the two Lat. origins adlaudare, to praise, and allocare, to assign a place; so that the English word combined the general idea of "assigning with approval")

allowance after the events of 1814 and See also:

• FELL
• FELL, JOHN (1625-1686)

fell into poverty . See also:

• CORREGGIO
• CORREGGIO, or COREGGIO

Correggio was his See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model, and his best pieces, which are in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of See also:

• SANTA

Santa Maria presso See also:

• SAN

San Celso and the royal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace at Milan, almost See also:

• RIVAL

rival those of his See also:

• GREAT

great See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master . He also painted Napoleon and the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief personages of his See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . Among the most graceful of his oil-paintings are his " See also:

• VENUS

Venus and Love," and " Rinaldo in the See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden of Armida." He is known as " the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder," to distinguish him from his great-See also:

• NEPHEW

nephew See also:

• ANDREA, GIOVANNI (1275-1348)

Andrea See also:

• APPIANI, ANDREA (1754-1817)

Appiani (1817-1865), an See also:

• HISTORICAL

historical painter at See also:

• ROME
• ROME (Roma)

Rome . Other painters of the same name were Niccolo Appiani (fl . 1510) and See also:

• FRANCESCO
• FRANCESCO, 210

Francesco Appiani (1704-1792) .