See also:

• APPOGGIATURA (from Ital. appoggiare, to lean upon)

APPOGGIATURA (from Ital. appoggiare, to lean upon)  , a musical See also:

• TERM

term for a melodic See also:

• ORNAMENT (Lat. ornare, to adorn)

ornament, a See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace-See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note prefixed to a See also:

• PRINCIPAL

principal note and printed in small See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . The effect is to suspend the principal note, by taking away the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time-value of the See also:

• APPOGGIATURA (from Ital. appoggiare, to lean upon)

appoggiatura prefixed to it . There are two kinds, the See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long appoggiatura, now usually printed as played, and the See also:

• SHORT, FRANCIS JOB (1857– )

short, where the suspension of the principal note is scarcely perceptible; this is often called acciatura, a word properly applied to an ornament now obsolete, in which a principal note in a See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody is struck together with the note immediately below, the See also:

• LOWER

lower note being at once released and the other held on .