See also:

• ARCADELT, or ARCHADELT, JACOB (c. 1514—c. 1556)

ARCADELT, or ARCHADELT, See also:

• JACOB
• JACOB, JOHN (1812-1858)

JACOB (c. 1514—c. 1556)  , a See also:

• NETHERLANDS

Netherlands composer, of the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• PART

part of the See also:

• GOLDEN

Golden See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

Age . In 1539 he See also:

• LEFT

left a position at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence to See also:

• TEACH [THATCH OR THACH], EDWARD (d. 1718)

teach the choristers of St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter's, See also:

• ROME
• ROME (Roma)

Rome, and became one of the papal singers in 1540 . He was a prolific See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church composer, but the See also:

• WORKS

works published in his See also:

• ITALIAN

Italian See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time consist entirely of madrigals, five books of which, published at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, probably gave a See also:

• GREAT

great stimulus to the beginnings of the Venetian school of See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . In 1555 he left See also:

• ITALY
• ITALY (Italia)

Italy and entered the service of Cardihal See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles of See also:

• LORRAINE

Lorraine, See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• GUISE
• GUISE, HOUSE OF

Guise, and after this published three volumes of masses, besides contributing motets to various collections . The See also:

• AVE, or FIRN

Ave Maria, ascribed to him and transcribed as a See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte piece by See also:

• LISZT, FRANZ (1811-1886)

Liszt, does not seem to be traced to an earlier source than its edition by See also:

• SIR

Sir See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• BISHOP (A.S. bisceop, from Lat. episcopus, Gr. irio-Korros, " overlooker " or " overseer ")
• BISHOP, ISABELLA (1832-1904)
• BISHOP, SIR HENRY ROWLEY (1786-1855)

Bishop, which has possibly the same See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind of origin in See also:

• ARCADELT, or ARCHADELT, JACOB (c. 1514—c. 1556)

Arcadelt as the hymn tune " See also:

• PALESTRINA, GIOVANNI PIERLUIGI DA (1526-1594)

Palestrina " has in the delicate and subtle Gloria of Palestrina's Magnificat Quinli Toni, the fifth in his first See also:

• BOOK

Book of Magnificats .