See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• WILLIAM ARCHER (1856— )

ARCHER (1856— )  , See also:

• ENGLISH

English critic, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PERTH
• PERTH, EARLS AND DUKES OF

Perth on the 23rd of See also:

• SEPTEMBER (Lat. septem, seven)

September 1856, and was educated at See also:

• EDINBURGH

Edinburgh University . He became a See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader-writer on the Edinburgh Evening See also:

• NEWS

News in 1875, and after a See also:

• YEAR

year in See also:

• AUSTRALIA

Australia returned to Edinburgh . In 1879 he became dramatic critic of the See also:

• LONDON

London See also:

• FIGARO

Figaro, and in 1884 of the See also:

• WORLD

World . In London he soon took a prominent See also:

• LITERARY

literary See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place . Mr See also:

• ARCHER, WILLIAM (1856— )

Archer had much to do with introducing See also:

• IBSEN, HENRIK (1828-1906)

Ibsen to the English public by his See also:

• TRANSLATION

translation of The Pillars of Society, produced at the Gaiety See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre, London, in ,880 . He also translated, alone or in collaboration, other productions of the Scandinavian See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage: Ibsen's See also:

• DOLL

Doll's See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House (1889), See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

Master Builder (1893); Edvard See also:

• BRANDES, GEORG MORRIS COHEN (1842– )

Brandes's A Visit (1892); Ibsen's Peer Gyvtt (1892); Little Eyolf (1895); and See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• GABRIEL (Heb. SKns, man of God)

Gabriel Borkman (1897); and he edited Henrik Ibsen's See also:

• PROSE

Prose Dramas (5 vols., 1890-1891) . Among his See also:

• CRITICAL (in alphabetical order of authors)

critical See also:

• WORKS

works are: English Dramatists of To-See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day (1882); Masks or Faces ? (1888); five vols. of critical notices reprinted, The Theatrical World (1893—1897); See also:

• AMERICA

America To-day, Observations and Reflections; Poets of the Younger See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

Generation (19o1); Real Conversations (1904) .