See also:

• SAMUEL

SAMUEL See also:

• ARNOLD
• ARNOLD, BENEDICT (1741-1801)
• ARNOLD, GOTTFRIED (1666-1714)
• ARNOLD, MATTHEW (1822-1888)
• SAMUEL ARNOLD (1740--18o2)
• ARNOLD, SIR EDWIN (1832-1904)
• ARNOLD, THOMAS (1745-1842)

ARNOLD (1740--18o2)  , See also:

• ENGLISH

English composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LONDON

London on the loth of See also:

• AUGUST (originally Sextilis)

August 1740 . He received a thorough musical See also:

• EDUCATION

education at the See also:

• CHAPEL

Chapel Royal, and when little more than twenty years of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age was appointed composer at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre . Here, in 1765, he produced his popular See also:

• OPERA (Italian for " work ")

opera, The Maid of the See also:

• MILL
• MILL (O. Eng. mylen, later myln, or miln, adapted from the late Lat. molina, cf. Fr. moulin, from Lat. mola, a mill, molere, to grind; from the same root, mol, is derived " meal;" the word appears in other Teutonic languages, cf. Du. molen, Ger. muhle)
• MILL, JAMES (1773-1836)
• MILL, JOHN (c. 1645–1707)
• MILL, JOHN STUART (1806-1873)

Mill, many of the songs in which were selected from the See also:

• WORKS

works of See also:

• ITALIAN

Italian composers . In 1776 he transferred his services to the Haymarket theatre . In 1783 he was made composer to See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George III . Between 1765 and 1802 he wrote as many as See also:

• FORTY

forty-three operas, after-pieces and pantomimes, of which the best were The Maid of the Mill, See also:

• ROSAMOND

Rosamond, Inkle and Yarico, The See also:

• BATTLE

Battle of See also:

• HEXHAM

Hexham, The Mountaineers . His oratorios included The Cure of See also:

• SAUL (Heb. shd'ul, " asked ")

Saul (1767), Ahimelech (1768), The Resurrection (1773), The Prodigal Son (1777) and See also:

• ELISHA (a Hebrew name meaning " God is deliverance ")

Elisha (1795) . In 1783 he became organist to the Chapel Royal . In 1786 he began an edition of See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel's works, which extended to 40 volumes, but was never completed . In 1793 he became organist of See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey, where he was buried after his See also:

• DEATH

death on the 22nd of See also:

• OCTOBER

October 1802 . See also:

• ARNOLD
• ARNOLD, BENEDICT (1741-1801)
• ARNOLD, GOTTFRIED (1666-1714)
• ARNOLD, MATTHEW (1822-1888)
• ARNOLD, SAMUEL (1740--18o2)
• ARNOLD, SIR EDWIN (1832-1904)
• ARNOLD, THOMAS (1745-1842)

Arnold is chiefly remembered now for the publication of his See also:

• CATHEDRAL

Cathedral See also:

• MUSIC

Music, being a collection in See also:

• SCORE (O.E. scor, from sceran, to cut, notch, cf. " shear ")

score of the most valuable and useful compositions for that service by the several English masters of the last 200 years (r 790) .