|
See also: English composer, was See also: born at See also: London on the loth of See also: August 1740
.
He received a thorough musical See also: education at the See also: Chapel Royal, and when little more than twenty years of age was appointed composer at Covent Garden theatre
.
Here, in 1765, he produced his popular See also: opera, The Maid of the See also: Mill, many of the songs in which were selected from the
See also: works of See also: Italian composers
.
In 1776 he transferred his services to the Haymarket theatre
.
In 1783 he was made composer to See also: George III
.
Between 1765 and 1802 he wrote as many as See also: forty-three operas, after-pieces and pantomimes, of which the best were The Maid of the Mill, See also: Rosamond, Inkle and Yarico, The See also: Battle of See also: Hexham, The Mountaineers
.
His oratorios included The Cure of See also: Saul (1767), Ahimelech (1768), The Resurrection (1773), The Prodigal Son (1777) and Elisha (1795)
.
In 1783 he became organist to the Chapel Royal
.
In 1786 he began an edition of See also: Handel's works, which extended to 40 volumes, but was never completed
.
In 1793 he became organist of See also: Westminster Abbey, where he was buried after his See also: death on the 22nd of See also: October 1802
.
See also: Arnold is chiefly remembered now for the publication of his See also: Cathedral See also: Music, being a collection in score of the most valuable and useful compositions for that service by the several English masters of the last 200 years (r 790)
.
|
|
|
[back] MATTHEW ARNOLD (1822-1888) |
[next] SIR EDWIN ARNOLD (1832-1904) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.