HANS See also:

• HANS ASSELIJN (1610-166o)

ASSELIJN (1610-166o)  , Dutch painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Diepen, near See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam . He received instruction from Esalas See also:

• VANDEVELDE, ADRIAN (1639-1672)
• VANDEVELDE, WILLIAM (1633-1707)

Vandevelde (1587-1630), and distinguished himself particularly in landscape and See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal See also:

• PAINTING

painting, though his See also:

• HISTORICAL

historical See also:

• WORKS

works and See also:

• BATTLE

battle pieces are also admired . He travelled much in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and See also:

• ITALY
• ITALY (Italia)

Italy, and modelled his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style greatly after Bamboccio (See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter See also:

• LAER (or LAAR), PIETER VAN (1613-c. 1675)

Laer) . He was one of the first . Dutch painters who introduced a fresh and clear. manner of painting landscapes in the style of See also:

• CLAUDE, JEAN (1619-1687)

Claude See also:

• LORRAINE

Lorraine, and his example was speedily followed by other artists . See also:

• ASSELIJN, HANS (1610-166o)

Asselijn's pictures were in high estimation at .Amster-See also:

• DAM

dam, and several of them are in the museums of that, See also:

• CITY (through Fr. cite, from Lat. civitas)

city . Twenty-four, painted in Italy, were engraved . ,_ .