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GEORG ANTON See also:FRIEDRICH See also:AST (1778-1841) , See also:German philosopher and philologist, was See also:born at See also:Gotha . Educated there and at the university of See also:Jena, he became privat-docent at Jenai 1802 . In 18c5 he became See also:professor of classical literature in the university of See also:Landshut, where he remained till 1826, when it was transferred to See also:Munich . There he lived till his See also:death on the 31st of See also:October 1841 . In' recognition of his See also:work he was made an aulic councillor and a member of the Bavarian See also:Academy of Sciences . He is known principally for his work during the last twenty-five years of his See also:life on the dialogues of See also:Plato . His Platmc's Leben and Schriften (1816) was the first of those See also:critical inquiries into the life and See also:works of Plato which originated in the Introductions of See also:Schleiermacher and the See also:historical See also:scepticism of See also:Niebuhr and See also:Wolf . Distrusting tradition, he took a few of the finest dialogues as his See also:standard, and from See also:internal See also:evidence denounced as See also:spurious not only those which are generally admitted to be so (Epinomis, See also:Minos, Theages, Arastae, Clitophon, See also:Hipparchus, Eryxias, Letters and See also:Definitions), but also the Meno, See also:Euthydemus, Charmides, Lysis, See also:Laches, First and Second See also:Alcibiades, Hippias See also:Major and See also:Minor, See also:Ion, Euthyphro, See also:Apology, Crito, and even (against See also:Aristotle's explicit assertion) The See also:Laws . The genuine dialogues he divides into three See also:series:—(1) the earliest, marked chiefly by the poetical and dramatic See also:element, i.e . See also:Protagoras, See also:Phaedrus, See also:Gorgias, See also:Phaedo; (2) the second, marked by See also:dialectic subtlety, i.e . Theaetetus, Sophist, Statesman, Parmenides, Cratylus; (3) the third See also:group, combining both qualities harmoniously, i.e. the Philebus, See also:Symposium, See also:Republic, See also:Timaeus, See also:Critias . The work was followed by a See also:complete edition of Plato's works (II vols., 1819–1832) with a Latin See also:translation and commentary . His last work was the See also:Lexicon Platonicum (3 vols., 1834–1839), which is both valuable and comprehensive . In his works on See also:aesthetics he combined the views of See also:Schelling with those of See also:Winckelmann, Leasing, See also:Kant, See also:Herder, See also:Schiller and others . His histories of See also:philosophy are marked more by critical scholarship than by originality of thought, though they are interesting as asserting the now See also:familiar principle that the See also:history of philosophy is not the history of opinions, but of See also:reason as a whole; he was among the first to See also:attempt to formulate a principle of the development of thought . Beside his works on Plato, he wrote, on aesthetics, See also:System der Kunstlehre (1805) and Grundriss der Aesthetik (1807); on the history of philosophy, Grundlinien der Philosophic (1807, republished 1809, but soon forgotten), Grundriss einer Geschichte der Philosophic (1807 and 1825), and Hauptmomente der Geschichle der Philosophic (1829); in See also:philology, Grundlinien der Philologie (1808), and Grundlinien der Grammatik, Hcrmeneutik and Kritik (1808) . |
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