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ATELLANAE FABULAE (" Atellan fables ") , the name of a sort of popular See also: comedy amongst the See also: ancient See also: Romans
.
The name is derived from See also: Atella, an Oscan See also: town in See also: Campania; for this reason, and from their being also called Osci ludi, it has been supposed that they were of Oscan origin and introduced at See also: Rome after Campania had been deprived of its independence
.
It seems highly improbable that they were performed in the Oscan language
.
See also: Mommsen, however, rejects their Oscan origin altogether; he regards them as purely Latin, the scene merely being laid at Atella to avoid causing offence by placing it at Rome or one of the Latin cities
.
These plays, or rather sketches, contained humorous descriptions of country as contrasted with town See also: life, and found their subjects amongst the See also: lower classes of the See also: people
.
The subjects alone were decided upon before the performance began; the See also: dialogue was improvised as it proceeded
.
The Atellanae contained certain stock characters, like the See also: Italian harlequinades: Maccus (the fool), Bucco (fat-chaps), Pappus (daddy), Dossennus (sharper); monsters and bogeys like Manducus, Pytho, See also: Lamia also made their appearance
.
The performers were the sons of See also: Roman citizens, who did not lose their rights as citizens, and were allowed to serve in the army: professional actors were excluded
.
The See also: simple See also: prose dialogues were probably varied by songs in the See also: rude Saturnian metre: the language was that of the See also: common people, accompanied by lively gesticulation and movements
.
They were characterized by coarseness and obscenity
.
In the See also: time of Sulla a See also: literary See also: form was given to the Atellanae by See also: Pomponius of See also: Bononia and Novius, who made them See also: regular written comedies
.
Living persons seem to have been attacked, and even the doings of the gods and heroes of See also: mythology burlesqued
.
From this time the Atellanae were used as after-pieces and performed by professional actors . In 46 B.C. they were ousted by the mimes, but regained popularity during ,the reign of Tiberius (chiefly owing to a certain See also: Mummius), until they were definitelysuperseded by and merged in the mimes
.
They held their ground in the small towns and villages of See also: Italy during the last days of the See also: empire; they probably lingered on into the See also: middle ages, and were the origin of the Italian Commedie dell' arte
.
. The scanty fragments of Pomponius and Novius are collected in Ribbeck's Comicorum Romanorum Reliquiae; see also Munk, De Fabulis Atellanis (184o) ; and See also: art
.
LATIN LITERATURE
.
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