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ATHENAEUS , of See also: Naucratis in See also: Egypt, See also: Greek rhetorician and grammarian, flourished about the end of the 2nd and the beginningof the 3rd century A.D
.
Suidas only tells us that he lived " in the times of See also: Marcus "; but the contempt with which he speaks of Commodus (died 192) shows that he survived that emperor
.
Athenaeus himself states that he was the author of a See also: treatise on the thratta—a kind of See also: fish mentioned by See also: Archippus and other comic poets—and of a See also: history of the Syrian See also: kings, both of which See also: works are lost
.
We still possess the Deipnosophistae, which may mean See also: dinner-table philosophers or authorities on banquets, in fifteen books
.
The first two books, and parts of the third, See also: eleventh and fifteenth, are only extant in epitome, but otherwise we seem to possess the See also: work entire
.
It is an immenSe store-See also: house of See also: miscellaneous information, chiefly on matters connected with the table, but also containing remarks on See also: music, songs, dances, See also: games, courtesans
.
It is full of quotations from writers whose works have not come down to us; nearly 800 writers and 2500 See also: separate writings are referred to by Athenaeus; and he boasts of having read 800 plays of the See also: Middle See also: Comedy alone
.
The See also: plan of the Deipnosophistae is exceedingly cumbrous, and is badly carried out
.
It professes to be an account given by the author to his friend Timocrates of a banquet held at the house of See also: Laurentius (or Larentius), a See also: scholar and wealthy See also: patron of See also: art
.
It is thus a See also: dialogue within a dialogue, after the manner of See also: Plato, but a conversation of sufficient length to occupy several days (though represented as taking place in one) could not be conveyed in a See also: style similar to the See also: short conversations of See also: Socrates
.
Among the twenty-nine guests are Galen and See also: Ulpian, but they are all probably fictitious personages, and the majority take no See also: part in the conversation
.
If Ulpian is identical with the famous, jurist, the Deipnosophistae must have been written after his See also: death (228); but the jurist was murdered by the praetorian See also: guards, whereas Ulpian in Athenaeus See also: dies a natural death
.
The conversation ranges from the dishes before the guests to See also: literary matters of every description, including points of grammar and See also: criticism; and they are expected to bring with them extracts from the poets, which are read aloud and discussed at table
.
The whole is but a clumsy apparatus for displaying the varied and extensive See also: reading of the author
.
As a work of art it can take but a low See also: rank, but as a repertory of fragments and morsels, of information it is invaluable
.
Editio princeps, Aldine, 1524; Casaubon, 1597–1600; See also: Schweighauser, 1801–1807; See also: Dindorf, 1827; Meineke, 1859–1867; Kaibel, 1887-189o; See also: English See also: translation by Yonge in See also: Bohn's Classical Library
.
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