See also:

• TITUS
• TITUS, FLAVIUS SABINUS VESPASIANUS
• TITUS, THE EPISTLE TO

TITUS QUINCTIUS See also:

• TITUS QUINCTIUS ATTA

ATTA  , or QurxTiclus (d . 77 B.C.), See also:

• ROMAN

Roman See also:

• COMEDY

comedy writer, was, like Titinius and See also:

• AFRANIUS, LUCIUS

Afranius, distinguished as a writer of fabulae togatae, See also:

• NATIONAL

national comedies . He had the reputation of being a vivid delineator of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, especially See also:

• FEMALE

female . He also seems to have published a collection of epigrams . The scanty fragments contain many archaisms, but are lively in See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . According to See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace (Epistles, ii 1 . 79) the plays of See also:

• ATTA, TITUS QUINCTIUS

Atta were still put on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage in his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . Aulus See also:

• GELLIUS, AULUS (c. A.D. 13o-I8o)

Gellius vii . 9; fragments in Neukirch, De fabula togata Romanorum (1833) ; See also:

• RIBBECK, JOHANN CARL OTTO (1827-1898)

Ribbeck, Comicorum Latinorum reliquiae (1855) .