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AULNOY (or AuNOY), See also: born about 165o at Barneville near Bourg-See also: Achard (See also: Eure)
.
She was the niece of See also: Marie See also: Bruneau See also: des Loges, the friend of See also: Malherbe and of J
.
G. de Balzac, who was called the " tenth Muse." She married on the 8th of See also: March 1666
See also: Francois de la Motte, a gentleman in the service of Cesar, duc de See also: Vendome, who became Baron d'Aulnoy in 1654
.
With her See also: mother, who by a second See also: marriage had become marquise de Gudaigne, she instigated a See also: prosecution for high treason against her See also: husband
.
The conspiracy was exposed, and the two See also: women saved themselves by a hasty See also: flight to See also: England
.
Thence they went (See also: February 1679) to See also: Spain, but were eventually allowed to return to See also: France in See also: reward for secret services rendered to the See also: government
.
Mme. d'Aulnoy died in See also: Paris on the 14th of See also: January 170
.
She wrote fairy tales, Conies nouvelles ou See also: les Fees a la mode (3 vols., 1698), in the manner of See also: Charles
See also: Perrault
.
This collection (24 tales) included L'Oiseau bleu, Finite Cendron, La Chatte See also: blanche and others
.
The originals of most of her admirable tales are to be found in the Pentamerone (16J7) of Giovanni Battista Basile
.
Other See also: works are : L'Histoire d'Hippolyte, comte de Duglas (169o), a See also: romance in the See also: style of Madame de la Fayette, though much inferior to its See also: model; Memoires de la cour d'Espagne (1679-1681); and a Relation du voyage d'Espagne (1690 or 1691) in the See also: form of letters, edited in 1874-1876 as La Cour et la eille de See also: Madrid by Mme
.
B . Carey; Histoire deSee also: Jean de Bourbon (1692); Memoires sur la cour de France (1692); Memoires de la cour d'Angleterre (1695)
.
Her See also: historical writings are partly borrowed from existing records, to which she adds
much that must be regarded as fiction, and some vivid descriptions of contemporary See also: manners
.
The Diverting Works of the Countess d'Anois, including some extretilely untrustworthy " See also: Memoirs of her own See also: life," were printed in See also: London in 1707
.
The Fairy Tales of Madame d'Aulnoy, with an introduction by Lady Thackeray Ritchie, appeared in 1892
.
For See also: biographical particulars see M. de Lescure's introduction to the Conies des Fees (1881)
.
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