See also:

• BACKHUYSEN, or BAKHUISEN, LUDOLF (1631-1708)

BACKHUYSEN, or BAKHUISEN, See also:

• LUDOLF (or LEUTHOLF), HIOB (1624-1704)

LUDOLF (1631-1708)  , Dutch painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• EMDEN

Emden, in See also:

• HANOVER
• HANOVER (Ger. Hannover)

Hanover . He was brought up as a See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant at See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam, but See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early discovered so strong a See also:

• GENIUS (from Lat. genere, gignere)

genius for See also:

• PAINTING

painting that he relinquished business and devoted himself to See also:

• ART

art . He studied first under Allart See also:

• VAN

van See also:

• EVERDINGEN, ALLART VAN (1621-?1675)

Everdingen and then under Hendrik Dubbels, two eminent masters of the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, and soon became celebrated for his See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

sea-pieces . He was an ardent student of nature, and frequently exposed himself on the sea in an open See also:

• BOAT (0. Eng. bdt; the true etymological connexion with Dutch and Ger. boot, Fr. bateau, Ital. battello presents great difficulties; Celtic forms are from O. Eng.)

boat in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to study the effects of tempests . His compositions, which are very numerous, are nearly all See also:

• VARIATIONS
• VARIATIONS, CALCULUS
• VARIATIONS, CALCULUS OF

variations of one subject, and in a See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style peculiarly his own, marked by intense See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism or faithful See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of nature . In his later years See also:

• BACKHUYSEN, or BAKHUISEN, LUDOLF (1631-1708)

Backhuysen employed his time in See also:

• ETCHING (Dutch, etsen, to eat)

etching and calligraphy . He died in Amsterdam on the 17th of See also:

• NOVEMBER (Lat. novem, nine)

November 1708 .