GIUSEPPE See also:

• GIUSEPPE BAINI (1775-1844)

BAINI (1775-1844)  , See also:

• ITALIAN

Italian See also:

• PRIEST (Ger. Priester, Fr. pretre)

priest, musical critic and composer of See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church See also:

• MUSIC

music, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROME
• ROME (Roma)

Rome on the 21st of See also:

• OCTOBER

October 1775 . He was instructed in See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition by his See also:

• UNCLE

uncle, Lorenzo See also:

• BAINI, GIUSEPPE (1775-1844)

Baini, and afterwards by G . Jannaconi . In 1814 he was appointed musical director to the See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir of the pontifical See also:

• CHAPEL

chapel, to which he had as See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early as 1802 gained See also:

• ADMISSION

admission in virtue of his See also:

• FINE

fine See also:

• BASS
• BASS (the same word as " base," and so pronounced, but influenced in spelling by the Ital. basso)

bass See also:

• VOICE (Fr. voix, from Lat. vox)

voice . His compositions, of which very few have been published, were very favourable specimens of the severe ecclesiastical See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style; one in particular, a ten-See also:

• PART

part See also:

• MISERERE (the imperative of Lat. misereri, to have mercy or pity)

Miserere, composed for See also:

• HOLY

Holy See also:

• WEEK (from A.S. wicu, Germanic *wikon, probably=change, turn)

Week in 1821 by See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• PIUS

Pius VII., has taken a permanent See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in the services of the Sistine chapel during See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

Passion Week . Baini held a higher place, however, as a musical critic and historian than as a composer, and his See also:

• LIFE

Life of See also:

• PALESTRINA, GIOVANNI PIERLUIGI DA (1526-1594)

Palestrina (Memorie storico-critiche della vita e delle ' opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best See also:

• WORKS

works of its class . The phrase Il Principe della Musica, which has become finally associated with the name of Palestrina, originates with this See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

biography . Giuseppe Baini died on the 21st of May 1844 in Rome .