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GIUSEPPE See also: Italian See also: priest, musical critic and composer of See also: church
See also: music, was See also: born at See also: Rome on the 21st of See also: October 1775
.
He was instructed in composition by his See also: uncle, Lorenzo See also: Baini, and afterwards by G
.
Jannaconi
.
In 1814 he was appointed musical director to the choir of the pontifical See also: chapel, to which he had as early as 1802 gained See also: admission in virtue of his See also: fine See also: bass See also: voice
.
His compositions, of which very few have been published, were very favourable specimens of the severe ecclesiastical See also: style; one in particular, a ten-See also: part Miserere, composed for See also: Holy Week in 1821 by See also: order of See also: Pope See also: Pius VII., has taken a permanent place in the services of the Sistine chapel during Passion Week
.
Baini held a higher place, however, as a musical critic and historian than as a composer, and his See also: Life of Palestrina (Memorie storico-critiche della vita e delle ' opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best See also: works of its class
.
The phrase Il Principe della Musica, which has become finally associated with the name of Palestrina, originates with this biography
.
Giuseppe Baini died on the 21st of May 1844 in Rome
.
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