BARTOLOMMEO See also:

• BARTOLOMMEO BANDINELLI

BANDINELLI  or See also:

• BACCIO

BACCIO (1493—1560), Florentine sculptor, was the son of an eminent See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

goldsmith, and from him See also:

• BANDINELLI, BARTOLOMMEO

Bandinelli obtained the first elements of See also:

• DRAWING

drawing . Showing a strong inclination for the See also:

• FINE

fine arts, he was See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early placed under Rustici, a sculptor, and a friend of Leonardo da See also:

• VINCI, LEONARDO (1690-173o)

Vinci, with whom he made rapid progress . The ruling See also:

• MOTIVE (from Lat. movere, to move)

motive in his See also:

• LIFE

life seems to have been See also:

• JEALOUSY (adapted from Fr. jalousie, formed from jaloux, jealous, Low Lat. zelosus, Gr. j'i os, ardour, zeal, from the root seen in '&u', to boil, ferment; cf. " yeast ")

jealousy both of Benvenuto See also:

• CELLINI, BENVENUTO (1500-1571)

Cellini and of See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo, one of whose cartoons he is said to have torn up and destroyed . He is regarded by some as inferior in See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture only to Michelangelo, with whom a comparison unfavourable to Bandinelli is tempted in such See also:

• WORKS

works as the See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble See also:

• COLOSSAL

colossal See also:

• GROUP

group of See also:

• HERCULES
• HERCULES (0. Lat. Hercoles, Hercles)

Hercules and Cacus in the Piazza del Gran Duco, and the group of See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam and See also:

• EVE

Eve in the Bargello . Among his best works must be reckoned the See also:

• BASSI, LAURA MARIA CATERINA (1711-1778)
• BASSI, UGO (1800-1849)

bassi-rilievi in the See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir of the See also:

• CATHEDRAL

cathedral of See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence; his copy of the See also:

• LAOCOON

Laocoon; and the figures of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ and Nicodemus on his own See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb .