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See also: born in See also: Paris on the 29th of See also: April 1805
.
Inspired by the revolution of See also: July he poured forth a series of eager, vigorous poems, denouncing, crudely enough, the evils of the See also: time
.
They are spoken of collectively as the lambes (1831), though the designation is not strictly applicable to all
.
As the name suggests, they are modelled on the verse of See also: Andre See also: Chenier
.
They include La Curee, La Popularite, L'Idole, Paris, See also: Dante, Quatre-vingt-treize and Varsovie
.
The rest of Barbier's poemsare forgotten, and when, in 1869, he received the long delayed honour of See also: admission to the See also: Academy, Montalembert expressed the general sentiment in his Barbier7 mais it est mort
!
It was even asserted, though without foundation, that he was not the real author of the Jambes
.
He died at See also: Nice on the 13th of See also: February 1882
.
He collaborated with Leon de See also: Wailly in the libretto of See also: Berlioz's See also: opera, Benvenuto See also: Cellini, and his See also: works include two series of poems on the See also: political and social troubles of See also: Italy and See also: England, printed in later See also: editions of lambes et poemes
.
See also Sainte-Beuve, Portraits contemporains, vol. ii
.
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