|
See also: born, on the 28th of See also: January 1582, at Pont-a-Mousson, where his See also: father See also: William
See also: Barclay held the chair of See also: civil See also: law
.
His See also: mother was a Frenchwoman of See also: good See also: family
.
His early See also: education was obtained at the Jesuit See also: College
.
While there, at the age of nineteen, he wrote a commentary on the Thebaid of Statius
.
In 1603 he crossed with his father to See also: London
.
Barclay had persistently maintained his Scottish See also: nationality in his French surroundings, and probably found in See also: James's accession an opportunity which he would not let slip
.
He did not remain long in
See also: England, where he is supposed to have published the first See also: part of his Satyricon, for in 1605 when a second edition of that See also: book appeared in See also: Paris, he was there, having already spent some See also: time in See also: Angers, and being now the See also: husband of a French girl, Louise Debonaire
.
He returned to London with his wife in 1606, and there published his Sylvae, a collection of Latin poems
.
In the following See also: year the second part of the Satyricon appeared in Paris
.
Barclay remained on in London till 1616
.
In 1609 he edited the De Potestate Papae, an See also: anti-papal See also: treatise by his father, who had died in the preceding year, and in 1611 he issued an Apologia or " third part " of the Satyricon, in answer to the attacks of the See also: Jesuits and others who were probably embittered by the See also: tone of the earlier parts of the satire
.
A so-called See also: fourth part," with the title of Icon Animorum, appeared in 1614
.
James I. is said to have been attracted by his scholarship, but particulars of this, or of his See also: life in London generally, are not avail-able
.
In 1616 he went to See also: Rome, for some reason unexplained, and there resided till his See also: death on the 15th of See also: August 1621
.
He appears to have been on better terms with the See also: Church and notably with Bellarmine; for in 1617 he issued, from a
See also: press at Cologne, a Paraenesis ad Sectarios, an attack on the position of Protestantism
.
The See also: literary effort of his closing years was his best-known See also: work the Argenis, completed about a fortnight before his death, which has been said to have been hastened by See also: poison
.
The See also: romance was printed in Paris in the same year
.
Barclay's contemporary reputation as a writer was of the highest; by his strict scholarship and graceful See also: style he has deserved the praise of See also: modern students
.
The Satyricon, a severe satire on the Jesuits, is modelled on See also: Petronius and catches his lightness of touch, though it shows little or nothing of the tone of its See also: model, or of the unhesitating severity and coarseness of the humanistic satire of Barclay's age
.
The Argenis is a long romance, with a monitory purpose on the dangers of See also: political intrigue, probably suggested to him by his experiences of the See also: league in See also: France, and by the catholic See also: plot in England after James's accession
.
The work has been praised by all parties; and it enjoyed for more than a century after his death a remarkable popularity
.
|
|
|
[back] ALEXANDER BARCLAY (c. 1476-1552) |
[next] JOHN BARCLAY (1734-1798) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.