See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• BARCLAY, ALEXANDER (c. 1476-1552)
• JOHN BARCLAY (1582-1621)
• BARCLAY, JOHN (1734-1798)
• BARCLAY, R
• BARCLAY, ROBERT (1648-1690)
• BARCLAY, WILLIAM (1546–1608)

BARCLAY (1582-1621)  , Scottish satirist and Latin poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born, on the 28th of See also:

• JANUARY

January 1582, at See also:

• PONT (or KYLPONT), ROBERT (1524–1606)

Pont-a-Mousson, where his See also:

• FATHER

father See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• BARCLAY, ALEXANDER (c. 1476-1552)
• BARCLAY, JOHN (1582-1621)
• BARCLAY, JOHN (1734-1798)
• BARCLAY, R
• BARCLAY, ROBERT (1648-1690)
• BARCLAY, WILLIAM (1546–1608)

Barclay held the See also:

• CHAIR (in. Mid. Eng. chcere, through O. Fr. chaire or chaiere, from Lat. cathedra, later caledra, Gr. xaOi3pa, seat, cf. "cathedral"; the modern Fr. form chaise, a chair, has been adopted in English with a particular meaning as a form of carriage; chaire

chair of See also:

• CIVIL

civil See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . His See also:

• MOTHER

mother was a Frenchwoman of See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• FAMILY

family . His See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• EDUCATION

education was obtained at the Jesuit See also:

• COLLEGE (Collegium)

College . While there, at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of nineteen, he wrote a commentary on the Thebaid of See also:

• STATIUS, PUBLIUS PAPINIUS (c. A.D. 45-96)

Statius . In 1603 he crossed with his father to See also:

• LONDON

London . Barclay had persistently maintained his Scottish See also:

• NATIONALITY

nationality in his See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French surroundings, and probably found in See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James's See also:

• ACCESSION (from Lat. accedere, to go to, to approach)

accession an opportunity which he would not let slip . He did not remain See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where he is supposed to have published the first See also:

• PART

part of his Satyricon, for in 1605 when a second edition of that See also:

• BOOK

book appeared in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, he was there, having already spent some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in See also:

• ANGERS

Angers, and being now the See also:

• HUSBAND

husband of a French girl, See also:

• LOUISE [AUGUSTE WILHELMINE AMALIE LUISE] (1776-1810)

Louise Debonaire . He returned to London with his wife in 1606, and there published his Sylvae, a collection of Latin poems . In the following See also:

• YEAR

year the second part of the Satyricon appeared in Paris . Barclay remained on in London till 1616 . In 1609 he edited the De Potestate Papae, an See also:

• ANTI, or CAMPA

anti-papal See also:

• TREATISE

treatise by his father, who had died in the preceding year, and in 1611 he issued an Apologia or " third part " of the Satyricon, in See also:

• ANSWER (derived from and, against, and the same root as swear)

answer to the attacks of the See also:

• JESUITS

Jesuits and others who were probably embittered by the See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone of the earlier parts of the See also:

• SATIRE (Lat. satira, satura; see below)

satire . A so-called See also:

• FOURTH

fourth part," with the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of See also:

• ICON (through the Latinized form, from Gr. eixiav, portrait, image)

Icon Animorum, appeared in 1614 .

James I. is said to have been attracted by his scholarship, but particulars of this, or of his See also:

• LIFE

life in London generally, are not avail-able . In 1616 he went to See also:

• ROME
• ROME (Roma)

Rome, for some See also:

• REASON (Lat. ratio, through French raison)

reason unexplained, and there resided till his See also:

• DEATH

death on the 15th of See also:

• AUGUST (originally Sextilis)

August 1621 . He appears to have been on better terms with the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church and notably with See also:

• BELLARMINE (Ital. Bellarmino), ROBERTO FRANCESCO ROMOLO (1542-1621)

Bellarmine; for in 1617 he issued, from a See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press at See also:

• COLOGNE (Ger. Koln, or officially, since 1900, Coln)

Cologne, a Paraenesis ad Sectarios, an attack on the position of Protestantism . The See also:

• LITERARY

literary effort of his closing years was his best-known See also:

• WORK

work the Argenis, completed about a fortnight before his death, which has been said to have been hastened by See also:

• POISON

poison . The See also:

• ROMANCE

romance was printed in Paris in the same year . Barclay's contemporary reputation as a writer was of the highest; by his strict scholarship and graceful See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style he has deserved the praise of See also:

• MODERN

modern students . The Satyricon, a severe satire on the Jesuits, is modelled on See also:

• PETRONIUS (G. (?)1

Petronius and catches his lightness of See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch, though it shows little or nothing of the tone of its See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model, or of the unhesitating severity and coarseness of the humanistic satire of Barclay's age . The Argenis is a long romance, with a monitory purpose on the dangers of See also:

• POLITICAL

political intrigue, probably suggested to him by his experiences of the See also:

• LEAGUE

league in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, and by the See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

catholic See also:

• PLOT
• PLOT, ROBERT (164o-1696)

plot in England after James's accession . The work has been praised by all parties; and it enjoyed for more than a See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century after his death a remarkable popularity .