See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• JOHN BARNETT (1802–1890)
• BARNETT, SAMUEL AUGUSTUS (1844– )

BARNETT (1802–1890)  , See also:

• ENGLISH

English musical composer, son of a Prussian named Bernhard See also:

• BEER

Beer, who changed his name on settling in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England as a jeweller, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BEDFORD

Bedford, and at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of eleven sang on the See also:

• LYCEUM

Lyceum See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage in See also:

• LONDON

London . His See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• VOICE (Fr. voix, from Lat. vox)

voice led to his being given a musical See also:

• EDUCATION

education, and he soon began See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing songs and lighter pieces for the stage . In 1834 he published a collection of Lyrical Illustrations of the See also:

• MODERN

Modern Poets, His See also:

• MOUNTAIN (0. Fr. montaigne; popular Lat. montanea, an adjectival form from the classical mons, montis, whence Eng. " mount," a form usually used along with the name of an individual mountain, e.g. Mt Everest)
• MOUNTAIN, THE (La Montagne)

Mountain See also:

• SYLPH

Sylph—with which his name is chiefly connected—received a warm welcome when produced at the Lyceum on See also:

• AUGUST (originally Sextilis)

August 25, 1834, as the first modern English See also:

• OPERA (Italian for " work ")

opera: and it was followed by another opera See also:

• FAIR

Fair Rosamund in 1837, and by See also:

• FARINELLI (1705–1782)

Farinelli in 1839 . He had a large connexion as a singing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master at See also:

• CHELTENHAM

Cheltenham, and published Systems and Singing-masters (1842) and School for the Voice (1844) . He died on the 16th of See also:

• APRIL

April 189o . His See also:

• NEPHEW

nephew, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

FRANCIS See also:

• BARNETT, JOHN (1802–1890)
• BARNETT, SAMUEL AUGUSTUS (1844– )

BARNETT (1837— ), son of John's See also:

• BROTHER

brother, See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• ALFRED

Alfred, also a See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• MUSIC

music, carried on the traditions of the See also:

• FAMILY

family as a composer and teacher . He obtained a See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen's scholarship at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of Music, and See also:

• DEVELOPED

developed into an accomplished pianist, visiting See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany to study in 1857 and playing at a Gewandhaus See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert at See also:

• LEIPZIG

Leipzig in 186o . He came into See also:

• NOTICE

notice as a composer with his symphonyin A See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor (1864), and followed this with a number of compositions for See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra, strings or See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte . His See also:

• CANTATA (Italian for a song or story set to music)

cantata The See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

Ancient Mariner was brought out at See also:

• BIRMINGHAM

Birmingham in 1867, and another, See also:

• PARADISE (Gr. lrap6BEwos)

Paradise and the See also:

• PERI, JACOPO (1561–16 ?)

Peri, in 187o, both with See also:

• GREAT

great success . In 1873 his most important See also:

• WORK

work, the See also:

• ORATORIO

oratorio The Raising of See also:

• LAZARUS (a contracted form of the Heb. name Eleazar, " God has helped," Gr. Aiq-apos)
• LAZARUS, EMMA (1849–1887)
• LAZARUS, HENRY (1815–1895)
• LAZARUS, MORITZ (1824–1903)
• LAZARUS, ST, ORDER OF

Lazarus, was written, and in 1876 produced at See also:

• HEREFORD

Hereford . Many other cantatas, pianoforte pieces, &c. were composed by him, and successfully brought out; and he took an active See also:

• PART

part as a professor in the work of the See also:

• GUILDHALL

Guildhall School of Music and Royal See also:

• COLLEGE (Collegium)

College of Music .