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BARON (1835-1895)

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Originally appearing in Volume V08, Page 110 of the 1911 Encyclopedia Britannica.
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BARON (1835-1895)  , See also:English poet, eldest son of See also:George See also:Fleming See also:Leicester (afterwards See also:Warren), and See also:Baron De Tabley, was See also:born on the 26th of See also:April 1835 . He was educated at See also:Eton and See also:Christ See also:Church, See also:Oxford, where he took his degree in 1856 with second classes in See also:classics and in See also:law and See also:modern See also:history . In the autumn of 1858 he went to See also:Turkey as unpaid attache to See also:Lord See also:Stratford de Redcliffe, and two years later was called to the See also:bar . He became an officer in theCheshireYeomanry,and unsuccessfullycontestedMid-See also:Cheshire in 1868 as a Liberal . After his See also:father's second See also:marriage in 1871 he remoyed to See also:London, where he became a See also:close friend of See also:Tennyson for several years . From 1877 till his See also:succession to the See also:title in 1887 he was lost to his See also:friends, assuming the See also:life of a recluse . It was not till 1892 that he returned to London life, and enjoyed a sort of See also:renaissance of reputation and friendship . During the later years of his life Lord De Tabley made many new friends, besides reopening old associations, and he almost seemed to he gathering around him a small See also:literary See also:company when his See also:health See also:broke, and he died on the 22nd of See also:November 1895 at See also:Hyde, in his sixty-first See also:year . He was buried at Little Peover in Cheshire . Although his reputation will live almost exclusively as that of a poet, De Tabley was a See also:man of many studious tastes . He was at one See also:time an authority on See also:numismatics; he wrote two novels; published A See also:Guide to the Study of See also:Book Plates (188o); and the See also:fruit of his careful researches in See also:botany was printed posthumously in his elaborate See also:Flora of Cheshire (1899) . See also:Poetry, however, was his first and last See also:passion, and to that he devoted the best energies of his life .

De Tabley's first impulse towards poetry came from his friend George See also:

Fortescue, with whom he shared a close companionship during his Oxford days, and whom he lost, as Tennyson lost See also:Hallam, within a few years of their taking their degrees . Fortescue was killed by falling from the See also:mast of Lord See also:Drogheda's yacht in November 1859, and this gloomy event plunged De Tabley into deep depression . Between 1859 and 1862 De Tabley issued four little volumes of pseudonymous See also:verse (by G . F . See also:Preston), in the See also:production of which he had been greatly stimulated by the sympathy of Fortescue . Once more he assumed a See also:pseudonym—his Praeterita (1863) bearing the name of See also:William See also:Lancaster . In the next year he published Eclogues and Mono- dramas, followed in 1865 by Studies in Verse . These volumes all displayed technical See also:grace and much natural beauty; but it was not till the publication of See also:Philoctetes in 1866 that De Tabley met with any wide recognition . Philoctetes See also:bore the See also:initials " M.A.," which, to the author's dismay, were interpreted as meaning See also:Matthew See also:Arnold . He at once disclosed his identity, and received the congratulations of his friends, among whom were Tennyson, See also:Browning and See also:Gladstone . In 1867 he published See also:Orestes, in 187o Rehearsals and in 1873 Searching the See also:Net . These last two bore his own name, See also:John Leicester Warren .

He was somewhat disappointed by their lukewarm reception, and when in 1876 The Soldier of See also:

Fortune, a See also:drama on which he had bestowed much careful labour, proved a See also:complete failure, he retired altogether from the literary See also:arena . It was not until 1893, that he was persuaded to return, and the immediate success in that year of his Poems, Dramatic and Lyrical, encouraged him to publish a second See also:series in 1895, the year of his See also:death . The genuine See also:interest with which these volumes were welcomed did much to lighten the last years of a somewhat sombre and solitary life . His See also:posthumous poems were collected in 1902 . The characteristics of De Tabley's poetry are pre-eminently magnificence of See also:style, derived from close study of See also:Milton, sonority, dignity, See also:weight and See also:colour . His passion for detail was both a strength and a weakness: it See also:lent a loving fidelity to his description of natural See also:objects, but it sometimes' involved him in a loss of See also:simple effect from over-elaboration of treatment . He was always a student of the classic poets, and See also:drew much of his See also:inspiration directly from them . He was a true and a whole-hearted artist, who, as a See also:brother poet well said, " still climbed the clear See also:cold altitudes of See also:song." His ambition was always for the heights, a region naturally See also:ice-See also:bound at periods, but always a See also:country of clear See also:atmosphere and See also:bright, vivid outlines . See an excellent See also:sketch by E . See also:Gosse in his See also:Critical See also:Kit-Kats (1896) .

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